Samoylov, Vladisla (conductor), Carlo Levi Minzi, Lena Samoylova

Camerata Ufa

...the sense of neoclassical craftsmanship... In I Mosaici di Piazza Armerina, Semini takes up the cloistered music by Respighi with Vetrate di chiesa. The evocation of the figures in coloured pieces is translated into a use of continuously overlapping motifs, which creates a rotating, cyclical eff ect and alludes to the eternity of art, perpetually capable of dying only to rise again. On his side, Hindemith created music of use: art from workshop and craft, bound to live beyond the romantic myth of transcendental inspiration.

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