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1 - 100 FLOWERS - 100 FLOWERS - (LP) 
SUPERIOR VIADUCT


100 Flowers (previously known as The Urinals) were a power trio whose sole 1983 album is an enduring document of the Southern California underground. Based in crime-ridden 80s Los Angeles against the backdrop of juvenile hardcore and vapid hard rock, 100 Flowers crafted a sound that rests between the inspired bursts of The Minutemen and the pastoral jangle of the Dream Syndicate with similarities to the equally oblique Monitor and The Gun Club (who even included a Urinals cover in their set). The trio wielded a gripping visual aesthetic and hyper-literate lyrical content that reflected their art-school backgrounds, while a ferocity and frustration borne out of their bleak urban environment permeates their songs. Strains of UK post-punk can be heard on "All Sexed Up" and skittish tension on "Presence of Mind." A far cry from the beach punk and surf rock of their contemporaries, album closer "Californias Falling into the Ocean" contains all of their signature qualities: off-kilter delivery, subversive sentiments and an irrefutable pop sensibility that reflects their immersion in LAs burgeoning Paisley Underground scene. The band splintered shortly after the release of this album, but time has only intensified the urgency of 100 Flowers music. "Cool musicality with critical intelligence. And they thrash on a high level." -Thurston Moore "This stuff both ignites my pilot light and blasts my boiler." -Mike Watt.

TRACKLISTING: 01. Without Limbs 02. All Sexed Up 03. Our Fallout 04. Horizontal 05. Head, No Heart 06. Presence Of Mind 07. I Dont Own My Own Heart 08. Motorboat To Hell 09. Strip Club 10. Poltergeists At Home 11. Pressing The Point 12. Virtually Nothing 13. Salad Of Speech 14. Funky Kjehl 15. Dizzy Ms. Lizzy 16. Californias Falling Into The Ocean

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Format: LP

Disc Quantity: 1
Date: 11-02-2013
Référence : 434466     
Disponibilité: 2/3 SEMAINES
Prix : 22,75 EUR



2 - ARTEMIEV, EDUARD - SOLARIS - (LP) 
SUPERIOR VIADUCT


Its only appropriate that Solaris, Russian filmmaker Andrei Tarkovskys psychological sci-fi classic from 1972, contains an equally original and mind-bending score. Solaris explores the inadequacies of time and memory on an enigmatic planet below a derelict space station. To reinforce the films chilling setting, Tarkovsky commissioned composer Eduard Artemiev to construct an electronic soundscape reflecting planet Solaris amorphous and mysterious surface; Artemiev rose to the challenge with a prophetic work that defies the eras technological limitations while evoking unparalleled emotional responses even today. Artemievs score-centered around variations on Bachs "Chorale Prelude in F-Minor," a somber piece for solo organ-sounds majestic alongside dissonant crescendos and formless, ambient tracks. Armed with the massive ANS synthesizer (aptly named after Russian occultist Alexander Nikolayevich Scriabin, who pioneered thought behind the synesthesiatic effects of music), Artemiev drafted sine waves on glass plates for the machine to interpret. The only prototype of the ANS was destroyed shortly after the Solaris soundtrack was recorded. Luckily this artifact of transcendent composition married with technological innovation endures as a masterpiece of early electronic music. Superior Viaduct is honored to present the first-time official release of Artemievs original soundtrack for the film (not to be confused with the previously available re-recording of the music). This deluxe package comes with three unique front-cover designs and is recommended for fans of Cluster, Iannis Xenakis, and Louis and Bebe Barrons Forbidden Planet..


Format: LP

Disc Quantity: 1
Date: 01-10-2013
Référence : 450075     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



3 - BATTIATO, FRANCO - FETUS - (LP) 
SUPERIOR VIADUCT


Franco Battiato is often heralded as Italy's answer to Brian Eno. A quizzical composer/lyricist, Battiato turned pop music upside down in the early '70s with three classic LPs - Fetus, Pollution and Sulle Corde Di Aries - that formed a confluence of avant-folk sensibilities and analog electronics.Originally released in 1971 on Bla Bla, Fetus predated the prodigious Cramps and Multhipla catalogues to become one of the first electronic records produced in Italy. With his trusted VCS3 synthesizer, Battiato created primordial soundscapes that shift between dreamy and delirious. His unsentimental, yet evocative voice - combined with a sublimely detached approach to lyrics - spawned a new breed of divergent songwriting.Fetus, a concept album exploring themes of genetic engineering, is enigmatically sub-titled "Ritorno al Mondo Nuovo" (Return to the New World) and dedicated to Aldous Huxley. While the sleeve design may have raised a few eyebrows upon its initial release, the back cover photograph of Battiato (standing defiant in dark glasses) makes the real iconoclastic statement.Battiato's infectious melodies and innovative sound-collage techniques remain uniquely spry given that each track averages less than four minutes in length. Pink Floyd's Meddle, Os Mutantes' eponymous recordings and Jim O'Rourke's experimental-pop idiosyncrasies all find parallels to the curious beauty of Fetus.Superior Viaduct is honored to present the first-time domestic release of Fetus on vinyl. Reproducing the original gatefold jacket, this reissue is part of an archival series that chronicles Franco Battiato's masterful body of work from 1971 to 1978.

TRACKLISTING: 01. Energia 02. Fetus 03. Una Cellula 04. Cariocinesi 05. Fenomenologia 06. Meccanica 07. Anafase 08. Mutazione


Format: LP

Disc Quantity: 1
Date: 12-10-2017
Référence : 507527     
Disponibilité: 2/3 SEMAINES
Prix : 34,50 EUR



4 - BATTIATO, FRANCO - POLLUTION - (LP) 
SUPERIOR VIADUCT


Franco Battiato is often heralded as Italy's answer to Brian Eno. A quizzical composer/lyricist, Battiato turned pop music upside down in the early '70s with three classic LPs - Fetus, Pollution and Sulle Corde Di Aries - that formed a confluence of avant-folk sensibilities and analog electronics.Pollution from 1972 is the captivating follow-up to Fetus. Like its predecessor, the album features Baroque textures, motorik rhythms, weird tape effects and Battiato's perfectly oblique vocals. Upon hearing Pollution, Frank Zappa joyfully proclaimed it "genius."While Battiato's core group of collaborators remains largely the same as on his debut, this phenomenal band (joined by an eighteen-year-old Roberto Cacciapaglia on keys) appears even more in the foreground on Pollution. Out of the Ash Ra Tempel-like riffs and urgent guitar strumming emerge hypnotic grooves and cinematic flourishes, suggesting a futuristic meeting point between Stereolab and Ennio Morricone.Dedicated to the Centro Internazionale Studi Magnetici, Pollution touches on themes of environmental catastrophe. Futurist allusions seep in through eccentric lyrics (at times sung backwards) about hydraulics, magnetic fields, etc., yet listeners don't need to speak the artist's language to grasp his melancholy vision. With Pollution, Battiato solidifies not only his cult figure status, but also many of his forward-thinking ideas on rock 'n' roll.Superior Viaduct is honored to present the first-time domestic release of Pollution on vinyl. Reproducing the original gatefold jacket, this reissue is part of an archival series that chronicles Franco Battiato's masterful body of work from 1971 to 1978.

TRACKLISTING: 01. Il Silenzio Del Rumore 02. 31 Dicembre 1999 Ore 9 03. Areknames 04. Beta 05. Plancton 06. Pollution 07. Ti Sei Mai Chiesto Quale Funzione Hai?


Format: LP

Disc Quantity: 1
Date: 12-10-2017
Référence : 507528     
Disponibilité: 2/3 SEMAINES
Prix : 34,50 EUR



5 - BATTIATO, FRANCO - SULLE CORDE DI ARIES - (LP) 
SUPERIOR VIADUCT


Franco Battiato is often heralded as Italy's answer to Brian Eno. A quizzical composer/lyricist, Battiato turned pop music upside down in the early '70s with three classic LPs - Fetus, Pollution and Sulle Corde Di Aries - that formed a confluence of avant-folk sensibilities and analog electronics.1973's Sulle Corde Di Aries is the third chapter in Battiato's foray into esoteric pop. While the artist would venture further out into avant-garde terrain on subsequent releases, his early records enjoy a lyrical and playful spirit - eschewing traditional, song-based composition in favor of kosmische voyages.On Sulle Corde Di Aries, Battiato guides the labyrinthine structural changes and majestic tones to evolve gradually over four electroacoustic suites. "Sequenze e Frequenze," the album's side-long centerpiece, blooms in a polyphony of organic pulses reminiscent of the vibrant keyboard minimalism of Terry Riley's A Rainbow In Curved Airand the rhythmic interconnectedness of Can's Ege Bamyasi.While Fetus and Pollution are often considered his masterpieces, Sulle Corde Di Aries remains a hidden gem in Battiato's catalogue. With more of a cohesive album-feel than the previous records, Sulle Corde Di Aries slows the pace to take in the sweeping scope of otherworldly sounds and soulful harmonies.Superior Viaduct is honored to present the first-time domestic release of Sulle Corde Di Aries on vinyl. Reproducing the original gatefold jacket, this reissue is part of an archival series that chronicles Franco Battiato's masterful body of work from 1971 to 1978.

TRACKLISTING: 01. Sequenze E Frequenze 02. Aries 03. Aria Di Rivoluzione 04. Da Oriente A Occidente


Format: LP

Disc Quantity: 1
Date: 12-10-2017
Référence : 507529     
Disponibilité: 2/3 SEMAINES
Prix : 34,50 EUR



6 - BENDER, JOHN - I DON'T REMEMBER NOW/I DON'T WANT TO TALK ABOUT IT - (LP) 
SUPERIOR VIADUCT


John Bender recorded voraciously between 1978 and 1980 at his home in Cincinnati, Ohio. Not even song titles could slow down his creative pace, as he named all the tracks after their position on the original tapes. "36A2," for example, was cassette #36 side A, piece #2. To close the DIY aesthetic circle, Bender made sleeves by hand with no two covers alike and pressed the LPs in hyper-limited editions on his own Record Sluts imprint. I Dont Remember Now / I Dont Want To Talk About It, Benders first album from 1980, is the holy grail of minimal lo-fi electronics. Layers of fractured melodies, distorted synthesizers, hollowed-out rhythms and claustrophobic vocals unfold over the 40 minutes of this lost masterpiece. "Its A Rainy Day, Sunshine Girl," one of Fausts greatest songs, is perfectly deconstructed by a distinct punk-meets-experimentalist sensibility. While I Dont Remember Now is impossibly rare and the man behind the music remains shrouded in self-imposed mystery, the real surprise is that it has taken 35+ years for listeners to discover Benders warm, art-damaged immediacy. This first-time standalone reissue is recommended for fans of Pere Ubu, Brian Eno and Robert Ashley. Limited to 1,000 numbered copies. Red vinyl with hand-stamped jackets, each one unique. Liner notes by John Bender..


Format: LP

Disc Quantity: 1
Date: 08-04-2016
Référence : 488119     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



7 - BENDER, JOHN - PLASTER FALLING - (LP) 
SUPERIOR VIADUCT


Plaster Falling was recorded at the same time as John Benders first album, I Dont Remember Now / I Dont Want To Talk About It. Released in 1981 on the artists own Record Sluts label, copies of Plaster Fallings initial pressing came hermetically sealed in plaster (and later latex). Thus, listeners had to literally break open the record to find whats hidden inside. Produced in relative isolation, Plaster Falling is a beacon of brilliance in the nascent minimal-wave sphere. Veering towards skeletal urgency, these recordings set bright analogue melodies against half-whispered vocals and expand Benders electronic cryptography thru a series of lone signifiers: "Station," "Plaster," "Women," etc. As Bender explains in the liner notes, "I began to distance myself from the present and describe scenes as if in a movie - seeking concrete, terse, juxtaposed imagery." This first-time standalone reissue is recommended for fans of Gareth Williams & Mary Curries Flaming Tunes, Minimal Man and Grouper. Pressed on translucent blue vinyl in a limited / numbered edition of 1,000 copies.

TRACKLISTING: 01. Station 02. Plaster 03. Women 04. People 05. Something 06. Records 07. Knuckles 08. Cities 09. Street


Format: LP

Disc Quantity: 1
Date: 16-12-2016
Référence : 499369     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR


8 - BENDER, JOHN - POP SURGERY - (LP) 
SUPERIOR VIADUCT


Following the release of lo-fi electronic masterpiece I Don't Remember Now / I Don't Want To Talk About It and his brilliant follow-up Plaster Falling, Cincinnati-based artist John Bender began assembling his third and last album, Pop Surgery, in late 1982.While all of Bender's work draws from intimate home recordings - featuring the artist alone with various keyboards, analogue sequencers and tape delays - Pop Surgery remains the one that perhaps best distills his arrant deconstruction of the "pop" concept. These twelve frenetic tracks, meticulously stitched together with dubbed-out vocals and disjointed drum machines, stretch the boundaries of bedroom electronics.Bender would forgo the handmade LP sleeves typical of his Record Sluts imprint. The cover depicts an imposing scrapyard crane, ready to pick up discarded objects with its bright red electromagnet, while the center labels dtourn Columbia's classic '70s style."I pressed a single run of 500 copies," Bender recounts. "The only review I remember railed at the poor production quality. The DIY era had clearly come to an end."This first-time standalone reissue is recommended for fans of Suicide, TG's 20 Jazz Funk Greats and early Cabaret Voltaire. Liner notes by John Bender.

TRACKLISTING: 01. 54-2 Meat 02. 65-2 Galacial 03. 60-1 Thought 04. 60-2 Mallinder 05. 60-3 Hand 06. 60-4 Day 07. 57-1 Dance 08. 67-4 Glass 09. 53-2 Blue 10. 68-1 Cows 11. 68-2 Amalgamelon 12. 68-3 Unrelated


Format: LP

Disc Quantity: 1
Date: 30-08-2018
Référence : 517073     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



9 - BILL DIXON ORCHESTRA, THE - INTENTS AND PURPOSES - (LP) 
SUPERIOR VIADUCT


After spending the early 60s playing in groups with Cecil Taylor and Archie Shepp, trumpeter Bill Dixon recorded his singular and visionary masterpiece in 1967. Intents And Purposes remains not only Dixons defining statement as a composer, but also one of the most luminous moments in the history of avant-garde jazz. Combining orchestral timbres with free jazz intensity, Dixon leads a ten-piece ensemble including such heavyweights as Byard Lancaster, Robin Kenyatta, Jimmy Garrison and Reggie Workman. Closing each side of the album, "Nightfall Pieces I" and "Nightfall Pieces II" are evocative duets featuring Dixons flugelhorn accompanied by flautist George Marge. With Intents And Purposes, Dixon creates a work focused as much on sculpting and defining space-emphasizing moments of resonant stillness around which the compositions thrum and swell-as on purity of expression. This first-time vinyl reissue is recommended for fans of Art Ensemble of Chicago, Anthony Braxton and Henry Cow.

TRACKLISTING: 01. Metamorphosis 1962-1966 02. Nightfall Pieces I 03. Voices 04. Nightfall Pieces Ii


Format: LP

Disc Quantity: 1
Date: 26-01-2017
Référence : 500047     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



10 - BRANCA, GLENN - LESSON NO. 1 - (LP) 
SUPERIOR VIADUCT


After cutting his teeth in the late 70s no wave scene with bands Theoretical Girls and The Static, Glenn Branca made his first solo statement, Lesson No. 1, in 1980. The inaugural release on legendary post-punk / dance label 99 Records, Lesson No. 1 unveiled Brancas visionary guitar concepts with two monstrous, side-long compositions that helped forge NYCs downtown art-punk sound and acted as a massive influence on countless young groups, including Sonic Youth and Swans.The title track is easily Brancas most accessible moment; its driving beat and interlocking patterns resemble German pioneers Neu! playing Phillip Glass. Never before (or since) has minimalism sounded so euphoric. "Dissonance" is the A-sides polar opposite. Dark, skittish and unhinged, Branca leads his band (guitar, keyboard, bass, drums and sledgehammer) through block after block of industrial terror, leaving listeners drained in the process.Soon after the release of Lesson No. 1, Branca began to work on ambitious, long-form symphonies. "Bad Smells," included here as a single-sided bonus 12-inch, was commissioned in 1982 as a dance piece for choreographer Twyler Tharp and originally released on a split LP with John Giorno. Featuring Sonic Youth guitarists Lee Ranaldo and Thurston Moore, "Bad Smells" is a thrilling multi-section guitar assault that foretells much of Branca, Ranaldo and Moores work for the next decade.

TRACKLISTING: 01. Lesson No. 1 For Electric Guitar 02. Dissonance 03. Bad Smells


Format: LP

Disc Quantity: 2
Date: 06-03-2014
Référence : 454807     
Disponibilité: 2/3 SEMAINES
Prix : 25,25 EUR



11 - BRANCA, GLENN - THE ASCENSION - (LP) 
SUPERIOR VIADUCT


Glenn Brancas first full-length album The Ascension is a colossal achievement. After touring much of 1980 with an all-star band featuring four guitarists (Branca, fellow composers Ned Sublette and David Rosenbloom, and future Sonic Youth member Lee Ranaldo) along with Jeffrey Glenn on bass and Stephan Wischerth on drums, Branca took his war-torn group into a studio in Hells Kitchen to record five incendiary compositions. Originally released in the summer of 1981, The Ascension effectively tears down the genre-ghettos between 20th century avant-garde and ecstatic rock n roll. On "The Spectacular Commodity," chiming, shimmering tones unfold into sinister drone-territory à la Tony Conrad, while abrasive guitars and repetitive beats retain the raw primitivism of No Wave. The title track attains a densely packed, larger-than-life sound and (as author Marc Masters says best) "never stops climbing skyward." With artist Robert Longos stark front cover that depicts Branca battling an unidentified man, The Ascension is a must-have record not only for fans of early Swans and Sonic Youth, but also of Steve Reich or Slints Tweez..


Format: LP

Disc Quantity: 1
Date: 25-11-2014
Référence : 470940     
Disponibilité: 2/3 SEMAINES
Prix : 25,25 EUR


12 - BROWN, MARION - THREE FOR SHEPP - (LP) 
SUPERIOR VIADUCT


In 1966, when Marion Brown was ready to make his first record as a leader, he was standing on the shoulders of giants. Formative associations with Ornette Coleman and Sun Ra established Brown as a saxophonist to watch, and he had already appeared on free jazz landmarks Archie Shepps Fire Music and John Coltranes Ascension. Originally released on Impulse!, Browns debut lays down three startling originals and three tunes by Shepp-echoing his mentors 1964 homage to Coltrane, Four For Trane. Featuring Grachan Moncur III on trombone, Dave Burrell on piano and Norris "Sirone" Jones on bass, Three For Shepp balances fiery energy and delicate precision. Side A showcases Brown compositions that mix modal structures with ecstatic playing, particularly when the bandleader chases Moncur and Burrell on the exhilarating "The Shadow Knows." On the albums all-Shepp side, "West India" draws inspiration from India and Africa, while the feverish post-bop of "Delicado" demonstrates the bands versatility, swept by the wheeling drums of Beaver Harris. Even this early in his career, Brown stood apart from his peers in "the new thing." His solos were as gentle as they were furious. Informed by the African American folk traditions of his native Georgia and an enthusiastic embrace of the avant-garde, his music would confront and challenge society. As Brown says in the original liner notes, "The music is definitely a part of whats going on in the black revolution in America." Three For Shepp still sounds crucial today (over 50 years later) and remains a vital statement of jazzs past, present and future.

TRACKLISTING: 01. New Blue 02. Fortunato 03. The Shadow Knows 04. Spooks 05. West India 06. Delicado


Format: LP

Disc Quantity: 1
Date: 31-05-2019
Référence : 534039     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



13 - BURROUGHS, WILLIAM - CALL ME BURROUGHS - (LP) 
SUPERIOR VIADUCT


Originally released in 1965 by The English Bookshop in Paris and later by ESP-Disk in New York, Call Me Burroughs marks not only the recorded debut of William Burroughs, but also for many the first encounter with his inimitable voice. While Burroughs has had pervasive influence on counterculture in the past 50 years-from the Beats to punk rock and even hip hop-no other figure today is so widely considered the epitome of cool. Call Me Burroughs features the author reading from Naked Lunch and Nova Express, two of his best-known works that utilize the cut-up method developed by Burroughs and artist Brion Gysin. An eerie, deadpan drawl guides the listener through sci-fi innerscapes, narcotic nightmares, reports from the edge of the apocalypse. Phantasmagoric passages echo real experiences roaming the streets of Mexico, the West Village, Tangiers. Bradley the Buyer and other shadowy agents haunt our ears as Burroughs turns the page and pauses purposefully. "Anything put out up till now is like pulling a figure out of the air-Enemy installations shattered-Personnel decimated-Board Books taken-Electric waves of resistance sweeping through mind screens of the earth-The message of Total Resistance on short wave of the world" This first-time vinyl reissue is recommended for fans of Hunter S. Thompson, Patti Smith and Throbbing Gristle..


Format: LP

Disc Quantity: 1
Date: 25-03-2016
Référence : 485695     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



14 - COLEMAN, ORNETTE - TO WHOM WHO KEEPS A RECORD - (LP) 
SUPERIOR VIADUCT


In the late 1950s, Ornette Coleman set the jazz world on fire. From his own unique playing style to his fundamental deconstruction of harmony and complete rethinking of group performance, Coleman at once confounded critics and inspired a new generation. This revolutionary music eventually became known as free jazz, but Colemans influence extended well beyond - into avant-garde rock and art circles - and today his name is synonymous with artistic freedom. Originally released in Japan only, To Whom Who Keeps A Record collects outtakes from Colemans legendary Atlantic period, sessions from Change of the Century and This Is Our Music that are as emotionally transfixing as intellectually rigorous. Featuring the classic quartets with Don Cherry, Charlie Haden, Billy Higgins and Ed Blackwell, this collection is striking for its brilliant compositions and scorching solos. The song titles themselves lay out Colemans central philosophy: "Music always brings goodness to us all. Unless one has some other motive for its use." This first-time vinyl reissue includes liner notes by Byron Coley..


Format: LP

Disc Quantity: 1
Date: 26-02-2016
Référence : 485682     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



15 - COLTRANE, ALICE - A MONASTRIC TRIO - (LP) 
SUPERIOR VIADUCT


Born Alice McLeod into a musical Detroit family, Alice Coltrane began playing piano at age seven and later studied with Bud Powell in Paris. Upon returning to the States, she joined vibraphonist Terry Gibbss group and eventually shared a bill with the John Coltrane Quartet. In 1965, the two wed in Juarez, Mexico, and played alongside one another until her husbands last performance in May, 1967. A Monastic Trio, created in the year following her husbands passing, is Coltranes first recording as a band leader and features six original compositions. While Johns spirit can be felt throughout-from the song titles ("Ohnedaryth" was his adopted Hindu name) to the personnel (Jimmy Garrison, Rashied Ali, and Pharoah Sanders were frequent collaborators)-the album showcases Alices immense talent for fusing spiritual free jazz and new age with classical, Eastern, post-bop and gospel. As the late Amiri Baraka writes, "I Want to See You is a monastic piano concerto. With echoes of Europe..., it has a solemnity and majesty to it.... Yes, monastic is the word. The piano broods in its earth imagination.".

TRACKLISTING: 01. Ohnedaruth 02. Gospel Trane 03. I Want To See You 04. Lovely Sky Boat 05. Oceanic Beloved 06. Atomic Peace


Format: LP

Disc Quantity: 1
Date: 05-05-2014
Référence : 455627     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



16 - COLTRANE, ALICE - LORD OF LORDS - (LP) 
SUPERIOR VIADUCT


Originally released in 1972, Lord Of Lords was Alice Coltrane's final album for Impulse! and the last installment in her awe-inspiring trilogy that also included Universal Consciousness and World Galaxy. While all three records featured strings alongside a jazz ensemble, Lords Of Lords stood apart from its predecessors due to the sheer size of the orchestra (12 violins, 6 violas and 7 cellos, arranged and conducted by Coltrane herself) and its refined, blissful performances - shining a vital light on the devotional path that she would follow for the rest of her career.On the first two pieces, "Andromeda's Suffering" and "Sri Rama Ohnedaruth" (titled after the spiritual name for her late husband), Alice's dazzling piano and harp blend perfectly with the blanket of strings, while the haunting rhythm section of Charlie Haden and Ben Riley and a magnificent, droning electric organ emerge immaculately on the title track and closer "Going Home." Coltrane's musical vision is bold in its imagination and cosmic in scope, yet remains intensely personal and immediate. Lord Of Lords points inward as much as to the beyond, recalling her classical roots and recasting Eastern modes to radically invert the American avant-garde and spiritual jazz traditions.This first-time vinyl reissue has been carefully remastered from the original master tapes.

TRACKLISTING: 01. Andromedas Suffering 02. Sri Rama Ohnedaruth 03. Excerpts From The Firebird 04. Lord Of Lords 05. Going Home


Format: LP

Disc Quantity: 1
Date: 13-07-2018
Référence : 516274     NEW
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



17 - COLTRANE, ALICE - UNIVERSAL CONSCIOUSNESS - (LP) 
SUPERIOR VIADUCT


Originally released on Impulse! in 1971, Universal Consciousness is a major turning point in Alice Coltranes momentous career. While her previous albums pushed the limits of spiritual free-jazz and featured much of her late husbands band, Universal Consciousness expands the harpist / pianists compositional palette with organ and strings (working with Ornette Coleman). "Oh Allah" is the finest example of Coltranes new direction: tense violins dissolve into sublime organ solos and exquisite brushwork from long-time Mile Davis collaborator Jack DeJohnette. While the title track undulates with a fierce clamor, "Hare Krishna" showcases Coltranes uncanny ability for transcendent and slow-paced arrangements. In The Wires "100 Records That Set the World on Fire," David Toop writes, "[Universal Consciousness] clearly connects to other dyspeptic jazz traditions-the organ trio, the soloists with strings-yet volleys them into outer space, ancient Egypt, the Ganges, the great beyond. The production is astounding, the quality of improvisation is riveting, the string arrangements are apocalyptic rather than saccharine, the balance of turbulence and calm a genuine dialectic that later mystic / exotic post-jazz copped out of pursuing. Her lack of constraint was dimly regarded by adherents of 70s jazz and its masculine orthodoxies, yet Alice deserved better credit for virtuosity, originality, and the sheer will power needed to realized her vision." This first-time vinyl reissue has been carefully remastered from the original master tapes..

TRACKLISTING: 01. Universal Consciousness 02. Battle At Armageddon 03. Oh Allah 04. Hare Krishna 05. Sita Ram 06. The Ankh Of Amen-ra


Format: LP

Disc Quantity: 1
Date: 12-05-2015
Référence : 475365     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



18 - COLTRANE, JOHN/ALICE COLTRANE - COSMIC MUSIC - (LP) 
SUPERIOR VIADUCT


John Coltrane transformed the inner architecture of jazz, throughout the mid-1950s and 1960s and long after his premature death at age 40 in 1967. No other American musician could be said to be at the spiritual center of the 60s musical universe as Trane influenced Albert Ayler, La Monte Young, Jimi Hendrix and everybody in between. Cosmic Music, originally self-released by Alice Coltrane in 1968 and later issued by Impulse!, features two tracks ("Manifestation" and "Rev. King") by John Coltranes legendary final quintet that were recorded in San Francisco on February 2nd, 1966 and two more ("Lord Help Me To Be" and "The Sun") from Alice Coltranes very first session as a bandleader, recorded six months after her husbands passing. "Manifestation" opens with the group already in mid-flight: Tranes fierce tenor leads the way with Pharoah Sanders blistering sax and Alices powerful chords hearing his call. On "Rev. King," Trane introduces a lyrical theme and then the composition erupts into fiery incantations, while Jimmy Garrisons bass throbs alongside the propulsive, gravity-defying drumming of Rashied Ali. Foreshadowing her majestic debut, A Monastic Trio, "Lord Help Me To Be" brings Alices celestial piano playing and inspired improvisations to the foreground with Sanders, Garrison and drummer Ben Riley rumbling in tow. "The Sun," a meditative ballad with subtle urgency, perfectly closes the albums contemplative circle. As John Coltrane recites on the final track, "May there be peace and love and perfection throughout all creation."


Format: LP

Disc Quantity: 1
Date: 26-05-2017
Référence : 504373     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



19 - CONRAD, TONY - TEN YEARS ALIVE ON THE INFINITE PLAIN - (LP) 
SUPERIOR VIADUCT


Ten Years Alive On The Infinite Plain is the quintessential work of artist/filmmaker/composer Tony Conrad. Comprised of both film installation and minimalist score for amplified strings, Ten Years leaps across genre and medium to connect his revolutionary structural filmmaking with the experiments in long-duration sound that Conrad had begun in the 1960s as part of the Theatre of Eternal Music. "Ten Years began with image before sound," writes Andrew Lampert, "a row of quadruple projections arranged side-by-side, all the shuffling stripes cascading into each other. Over the next two hours the music throbbed and the projectors incrementally shifted inwards, their beams gradually uniting to form one pulsating, overlapping picture." For its 1972 premiere at New York's The Kitchen, Ten Years included Conrad on violin as well as Rhys Chatham and Laurie Spiegel performing on instruments of the composer's own making. Chatham played the Long String Drone - a 6-foot long strip of wood with bass strings, electric pickup, tuning keys, tape, rubber band and metal hardware - while Spiegel carried out an arrhythmic bass pulse throughout. Superior Viaduct is honored to present this previously unreleased recording of Ten Years Alive On The Infinite Plain's breathtaking premier performance. As Chatham recounts in the liner notes, "When I first listened to this recording after not hearing it for over 40 years, it transported me back to the early Kitchen and the heyday of early minimalism, played outside the Dream Syndicate."


Format: LP

Disc Quantity: 2
Date: 06-02-2017
Référence : 504479     
Disponibilité: 2/3 SEMAINES
Prix : 42,50 EUR



20 - CONRAD, TONY - TEN YEARS ALIVE ON THE INFINITE PLAIN - (CD) 
SUPERIOR VIADUCT


Ten Years Alive On The Infinite Plain is the quintessential work of artist/filmmaker/composer Tony Conrad. Comprised of both film installation and minimalist score for amplified strings, Ten Years leaps across genre and medium to connect his revolutionary structural filmmaking with the experiments in long-duration sound that Conrad had begun in the 1960s as part of the Theatre of Eternal Music. "Ten Years began with image before sound," writes Andrew Lampert, "a row of quadruple projections arranged side-by-side, all the shuffling stripes cascading into each other. Over the next two hours the music throbbed and the projectors incrementally shifted inwards, their beams gradually uniting to form one pulsating, overlapping picture." For its 1972 premiere at New York's The Kitchen, Ten Years included Conrad on violin as well as Rhys Chatham and Laurie Spiegel performing on instruments of the composer's own making. Chatham played the Long String Drone - a 6-foot long strip of wood with bass strings, electric pickup, tuning keys, tape, rubber band and metal hardware - while Spiegel carried out an arrhythmic bass pulse throughout. Superior Viaduct is honored to present this previously unreleased recording of Ten Years Alive On The Infinite Plain's breathtaking premier performance. As Chatham recounts in the liner notes, "When I first listened to this recording after not hearing it for over 40 years, it transported me back to the early Kitchen and the heyday of early minimalism, played outside the Dream Syndicate."


Format: CD

Disc Quantity: 2
Date: 06-02-2017
Référence : 504480     
Disponibilité: 2/3 SEMAINES
Prix : 25,25 EUR



21 - CONRAD, TONY -WITH FAUST- - OUTSIDE THE DREAM SYNDICATE - (LP) 
SUPERIOR VIADUCT


Violinist, composer and filmmaker Tony Conrad started his career in New York in the early 1960s. As a member of the Theater of Eternal Music (a.k.a. the Dream Syndicate) alongside John Cale, La Monte Young, Marian Zazeela and Angus MacLise, he participated in now-legendary and often legendarily loud drone performances with many pieces having no beginning and no end. During a fateful trip to Germany in 1972, Conrad met with avant-rock visionaries Faust and made the very first record to bear his name. Outside The Dream Syndicate, originally released in Europe only in 1973, is a stunning debut. Two side-long tracks-"The Side Of Man And Womankind" and "The Side Of The Machine"-show just how far Conrad had moved beyond his minimalist peers. Werner Diermaiers repetitive drum beat and Jean-Herv Perons stripped-down bassline conjure a tense, ascetic groove, while Conrads seamless violin, initially so controlled, reveals a surprising adaptability. The music shifts almost on a subliminal level, pushing and pulling to the drones internal pulse. It is hard to imagine Conrads trajectory from downtown Manhattan to a farmhouse in the German countryside that ultimately resulted in Outside The Dream Syndicate, yet no other record captures-so completely and instantly-the intersection of avant-garde and rock forms. Outside The Dream Syndicate remains ahead of and bracingly outside of its time. This first-time vinyl reissue and long out-of-print CD release have been carefully been carefully mastered from the original master tapes and include liner notes by musician Jim ORourke and author Branden W. Joseph..


Format: LP

Disc Quantity: 1
Date: 25-03-2016
Référence : 485696     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



22 - CONRAD, TONY -WITH FAUST- - OUTSIDE THE DREAM SYNDICATE - (CD) 
SUPERIOR VIADUCT


Violinist, composer and filmmaker Tony Conrad started his career in New York in the early 1960s. As a member of the Theater of Eternal Music (a.k.a. the Dream Syndicate) alongside John Cale, La Monte Young, Marian Zazeela and Angus MacLise, he participated in now-legendary and often legendarily loud drone performances with many pieces having no beginning and no end. During a fateful trip to Germany in 1972, Conrad met with avant-rock visionaries Faust and made the very first record to bear his name. Outside The Dream Syndicate, originally released in Europe only in 1973, is a stunning debut. Two side-long tracks-"The Side Of Man And Womankind" and "The Side Of The Machine"-show just how far Conrad had moved beyond his minimalist peers. Werner Diermaiers repetitive drum beat and Jean-Herv Perons stripped-down bassline conjure a tense, ascetic groove, while Conrads seamless violin, initially so controlled, reveals a surprising adaptability. The music shifts almost on a subliminal level, pushing and pulling to the drones internal pulse. It is hard to imagine Conrads trajectory from downtown Manhattan to a farmhouse in the German countryside that ultimately resulted in Outside The Dream Syndicate, yet no other record captures-so completely and instantly-the intersection of avant-garde and rock forms. Outside The Dream Syndicate remains ahead of and bracingly outside of its time. This first-time vinyl reissue and long out-of-print CD release have been carefully been carefully mastered from the original master tapes and include liner notes by musician Jim ORourke and author Branden W. Joseph..


Format: CD

Disc Quantity: 1
Date: 25-03-2016
Référence : 485697     
Disponibilité: 2/3 SEMAINES
Prix : 22,50 EUR


23 - CRIME - MURDER BY GUITAR 1976-1980 - (LP) 
SUPERIOR VIADUCT


All SIX original single sides newly-mastered from the original session tapes for the very first time, plus an additional nine previously unreleased vintage studio tracks. From Crime, the musicians that were "punk" before it had a name, and then rejected that name. The band that was banned in every venue in San Francisco at one time or another and burned a visual image into the minds of everyone who saw them. From the best punk band ever, that no record company in the 70's would touch. Features full color inner sleave with liner notes by Thurston Moore (Sonic Youth/Chelsea Light Moving) and Fred Beldin.

TRACKLISTING: 01. Hot Wire My Heart 02. Baby You're So Repulsive 03. Terminal Boredom 04. Dillinger's Brain 05. Frustration 06. Murder By Guitar 07. Crime Wave 08. Piss On Your Dog 09. Tv Blue 10. If Looks Could Kill 11. Lost Soul 12. Rockin' Weird 13. Gangster Funk 14. Maserati 15. San Francisco's Doomed (alternate Take)

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Format: LP

Disc Quantity: 1
Date: 11-08-2014
Référence : 443788     
Disponibilité: 2/3 SEMAINES
Prix : 25,25 EUR



24 - DEPARTMENTSTORE SANTAS - AT THE MEDIEVAL CASTLE NINETEEN 100-YEAR LIFETIME - (LP) 
SUPERIOR VIADUCT


The Departmentstore Santas LP is a underground rock classic of the highest order-from its carnivalesque front cover to the sixteen home-schooled tracks contained inside. Information about this mysterious band has been as scarce as original copies of their self-released album, yet purveyors of lo-fi pop esoterica have whispered about the Santas raison detre for the better part of the past three decades. Recorded in the early 80s in La Mesa, California, At the Medieval Castle Nineteen 100-Year Lifetimes Since features quirky sing-alongs, wide-eyed lyrics, echoey instrumentals and outsider folk-punk à la Daniel Johnston. While bandleader Joseph DAngelos unique charm may not fit comfortably in any one style, his preternatural world is united by the warmth and grit of these bedroom recordings. Out of step with other music of its era, Departmentstore Santas uncannily anticipated the 4-track movement of the 90s. This first-time reissue is recommended for fans of Television Personalities, Guided By Voices and Cleaners From Venus..


Format: LP

Disc Quantity: 1
Date: 25-09-2015
Référence : 480125     
Disponibilité: 2/3 SEMAINES
Prix : 25,25 EUR



25 - DEVO - HARDCORE - (CD) 
SUPERIOR VIADUCT


DEVOs Hardcore documents the groups beginning as pre-punk outcasts in the fertile Akron, Ohio, underground rock scene. Spawned at the nearby college of Kent State, site of the infamous May 4 Massacre, DEVO formed as a conceptual art project armed with the radical philosophy of de-evolution. Brothers Mothersbaugh (Mark, Bob and Jim) and Brothers Casale (Jerry and Bob) along with drummer Alan Myers soon whipped up an otherworldly brand of "devolved blues" that could hold its own alongside the beatnik groove of 15-60-75 (a.k.a. The Numbers Band) or the primal rock poetry of The Bizarros.Recorded on various four-track machines and in tiny studios, basements and garages between 1974 and 1977, Hardcore reveals their strikingly clear vision: rock n roll stripped bare of its collective cool and jerked back into propaganda fit for post-modern man. Its no surprise that these transmissions would soon catch the eye and ear of Brian Eno, who later produced their landmark 1978 debut album. Noisy synth, strangled guitar chops and a primitive rhythmic thud power the early DEVO sound. Threaded beneath it all are lyrical themes of post-McCarthy paranoia, middle-class ephemera and DEVOs long-running topic of choice: sex, or lack thereof. Few moments in pop music history can match the grinding, pent-up energy of "Mongoloid" and the spastic bounce and sputter of "Jocko Homo" (two anthems presented in their earlier and superior versions here). Cult favorites like "Mechanical Man" and "Auto-Modown" make Hardcore essential listening. Digging further into the bands cranial bunker, one finds the caveman hit "Be Stiff," the space age surf-blues of "Clockout" and even a demented take on bubblegum pop, "Goo Goo Itch." This 2xCD set includes four previously unreleased tracks: "Man from the Past," "Doghouse Doghouse," "Hubert House" and "Shimmy Shake."From Henry Rollinss liner notes to the CD version: "Hardcore is not some barrel-bottom scrape in a desperate attempt to pilfer your billfold! This is pure DEVO-the sweetest crude, straight from the source!" Superior Viaduct and Booji Boy Records are proud to present DEVOs Hardcore to a new generation of spuds, lovingly packaged with Moshe Brakhas stunning cover photography. As David Bowie said in 1977, DEVO is indeed "the band of the future."


Format: CD

Disc Quantity: 2
Date: 15-07-2013
Référence : 444024     
Disponibilité: 2/3 SEMAINES
Prix : 29,25 EUR



26 - DEVO - HARDCORE VOL. 1 - (LP) 
SUPERIOR VIADUCT


DEVOs Hardcore documents the groups beginning as pre-punk outcasts in the fertile Akron, Ohio, underground rock scene. Spawned at the nearby college of Kent State, site of the infamous May 4 Massacre, DEVO formed as a conceptual art project armed with the radical philosophy of de-evolution. Brothers Mothersbaugh (Mark, Bob and Jim) and Brothers Casale (Jerry and Bob) along with drummer Alan Myers soon whipped up an otherworldly brand of "devolved blues" that could hold its own alongside the beatnik groove of 15-60-75 (a.k.a. The Numbers Band) or the primal rock poetry of The Bizarros. Recorded on various four-track machines and in tiny studios, basements and garages between 1974-1977, Hardcore reveals their strikingly clear vision: rock n roll stripped bare of its collective cool and jerked back into propaganda fit for post-modern man. Its no surprise that these transmissions would soon catch the eye and ear of Brian Eno, who later produced their landmark 1978 debut album. Noisy synth, strangled guitar chops and a primitive rhythmic thud power the early DEVO sound. Threaded beneath it all are lyrical themes of post-McCarthy paranoia, middle-class ephemera and DEVOs long-running topic of choice: sex, or lack thereof. Few moments in pop music history can match the grinding, pent-up energy of "Mongoloid" and the spastic bounce and sputter of "Jocko Homo" (two anthems presented in their earlier and superior versions here). Cult favorites like "Mechanical Man" and "Auto-Modown" make Volume 1 essential listening. Superior Viaduct and Booji Boy Records are proud to present DEVOs Hardcore to a new generation of spuds, lovingly packaged with Moshe Brakhas stunning cover photography. As David Bowie said in 1977, DEVO is indeed "the band of the future.".


Format: LP

Disc Quantity: 1
Date: 06-05-2013
Référence : 441409     
Disponibilité: 2/3 SEMAINES
Prix : 25,25 EUR



27 - DEVO - HARDCORE VOL. 2 - (LP) 
SUPERIOR VIADUCT


DEVOs Hardcore documents the groups beginning as pre-punk outcasts in the fertile Akron, Ohio, underground rock scene. Spawned at the nearby college of Kent State, site of the infamous May 4 Massacre, DEVO formed as a conceptual art project armed with the radical philosophy of de-evolution. Brothers Mothersbaugh (Mark, Bob and Jim) and Brothers Casale (Jerry and Bob) along with drummer Alan Myers soon whipped up an otherworldly brand of "devolved blues" that could hold its own alongside the beatnik groove of 15-60-75 (a.k.a. The Numbers Band) or the primal rock poetry of The Bizarros. Recorded on various four-track machines and in tiny studios, basements and garages between 1974-1977, Hardcore reveals their strikingly clear vision: rock n roll stripped bare of its collective cool and jerked back into propaganda fit for post-modern man. Its no surprise that these transmissions would soon catch the eye and ear of Brian Eno, who later produced their landmark 1978 debut album. Noisy synth, strangled guitar chops and a primitive rhythmic thud power the early DEVO sound. Threaded beneath it all are lyrical themes of post-McCarthy paranoia, middle-class ephemera and DEVOs long-running topic of choice: sex, or lack thereof. Volume 2 digs further into the bands cranial bunker with the caveman hit "Be Stiff," the space age surf-blues of "Clockout" and even a demented take on bubblegum pop, "Goo Goo Itch." This 2xLP set includes four previously unreleased tracks: "Man from the Past," "Doghouse Doghouse," "Hubert House" and "Shimmy Shake." Superior Viaduct and Booji Boy Records are proud to present DEVOs Hardcore to a new generation of spuds, lovingly packaged with Moshe Brakhas stunning cover photography. As David Bowie said in 1977, DEVO is indeed "the band of the future.".


Format: LP

Disc Quantity: 2
Date: 06-05-2013
Référence : 441410     
Disponibilité: 2/3 SEMAINES
Prix : 39,50 EUR



28 - DILS, THE - I HATE THE RICH - (7") 
SUPERIOR VIADUCT


The Dils formed in Carlsbad, California in late 1976, although they soon relocated to San Francisco (and later Los Angeles) to become one of the preeminent bands in early West Coast punk. Their debut 45 appeared on What Records?, the same label that released The Germs'Forming single. While "I Hate The Rich" combines catchy melodies with a perfectly Punk politique, "You're Not Blank (So Baby We're Through)" features brothers Chip and Tony Kinman's harmonizing vocals and the group's tight, breakneck rhythms. This reissue comes with original sleeve design. Limited edition blue vinyl.

TRACKLISTING: 01. I Hate The Rich 02. You're Not Blank (so Baby We're Through)

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Format: 7"

Disc Quantity: 1
Date: 18-04-2015
Référence : 474303     
Disponibilité: EN STOCK
Prix : 10,00 EUR



29 - DNA - A TASTE OF DNA - (12") 
SUPERIOR VIADUCT


New York's DNA have had a massive effect on alternative / indie rock around the world, despite the trio never releasing a full-length studio album during their four year tenure (1978-82). Various groups citing them as an influence have included Sonic Youth, Boredoms, Big Black and Blonde Redhead (the latter taking their name from DNA's most-famous song). While the band's explosive live performances captivated audiences, extant recordings captured DNA's dynamic sound and savage economy in songwriting. Originally released in 1981, A Taste Of DNA remains a primary source for No Wave archaeologists. Singer/guitarist Arto Lindsay and drummer Ikue Mori are joined by bassist and Pere Ubu founding-member Tim Wright. Across the EP's six anti-epic tracks, the band charges forward with jagged guitars and dislocated grooves, while Lindsay's guttural screams create a thoroughly personal semantics. As Marc Masters writes in the liner notes, "A Taste Of DNA has a kind of sum-of-parts insanity, wherein every musical element sounds conventionally off, like puzzle pieces purposefully jammed together at the wrong ends." This first-time vinyl reissue is recommended for fans of The Contortions' Buy and Red Crayola's The Parable Of Arable Land..


Format: 12"

Disc Quantity: 1
Date: 26-08-2016
Référence : 493355     
Disponibilité: 2/3 SEMAINES
Prix : 20,00 EUR



30 - DNA - YOU & YOU - (7") 
SUPERIOR VIADUCT


Recorded in May 1978, a few weeks before DNA entered the studio with Brian Eno for the essential No New York sessions, You & You is this legendary No Wave trio's sole single and features original lineup with Arto Lindsay (guitar/vocals), Robin Crutchfield (keyboards) and Ikue Mori (drums). This first-time vinyl reissue comes with original sleeve design. Limited edition clear vinyl..


Format: 7"

Disc Quantity: 1
Date: 16-04-2016
Référence : 493365     
Disponibilité: 2/3 SEMAINES
Prix : 12,50 EUR
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