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1 - ANGAIAK, JOHN - I'M LOST IN THE CITY - (CD) 
FUTURE DAYS


Over 13 songs, Angaiak speaks to his community and also to the world. "Aka Tamaani," for one, became a regional hit in Alaska and reached as far as Greenland where Angaiak later performed in concert. Though Im Lost in the City garnered a small mention in industry bible Billboard, regardless of the albums cultural value, it sold poorly outside of Alaska and other northern communities, never finding a broader audience. In addition to his work as a painter and author, Angaiak is a proud family man and a source of great knowledge of his people and the changes they have faced over the years, shifting from a subsistence hunting, fishing, and sharing lifestyle to an increasingly urban influenced cash-based existence. An important statement on indigenous life and the human condition, Im Lost in the City showcases Angaiaks first hand perspective on this challenging transition, something that we can all learn a great deal from.

TRACKLISTING: 01. Ak'a Tamaani 02. Nasaureluma 03. Anuureluqa 04. Piukuvet 05. Cukaunak, Cukanerareluten-llu 06. Angayuqaagema 07. Sunday Morning 08. I'm Lost In The City 09. I'll Rock You To The Rhytm Of The Ocean 10. Hey, Hey, Hey Brother 11. Sing O'sing O'birdy 12. I'd Walk A Mile For My Girl 13. Rosie Maria


Format: CD

Disc Quantity: 1
Date: 12-05-2016
Référence : 490820     
Disponibilité: EN STOCK
Prix : 18,00 EUR


2 - BUCKLEY, TIM - LADY, GIVE ME YOUR KEY - (CD) 
FUTURE DAYS


THE UNISSUED 1967 SOLO ACOUSTIC SESSIONS - Available here for the first time are these newly discovered master tapes, recorded by Goodbye & Hellos producer Jerry Yester, along with an ultra-rare acetate, found to be in co-songwriter (and best friend) Becketts possession. Remastered from the original analog tapes and acetate, including a booklet with in-depth interviews with Buckleys lyricist Larry Beckett.In 1967, the face of rock was changing. In that year alone there were debut albums from The Velvet Underground, The Doors, and Pink Floyd, to name a few. The Beatles had combined orchestration with their music-the result was Sgt. Peppers in June, the same month that Tim Buckley recorded Goodbye & Hello.Buckley was no longer just another singer-songwriter with an acoustic guitar; he was drenched in acid-folk tinges of harpsichord and harmonium. Lyricist Larry Beckett embellished Tims songs with introspective lyrics at times, worldly views at others. It was the first major triumph for Tim as an album artist, partially because there were a remarkable amount of pre-production demos that led to it.Of the 13 previously unreleased solo acoustic songs contained here, six of them did eventually appear with more expansive instrumentation on Goodbye & Hello (along with another four not included here). However, the crown jewel of this package is seven never-before-heard compositions. These will be new to even the most devoted Buckley fan. Arguably, two of them crept out decades after Tims death (albeit, much different recordings than what you have here) but with little fanfare.

TRACKLISTING: 01. Sixface 02. Contact 03. Lady, Give Me Your Key 04. Once Upon A Time 05. Once I Was 06. I Never Asked To Be Your Mountain 07. Pleasant Street 08. Knight-errant 09. Marigold 10. Carnival Song 11. No Man Can Find War 12. I Can't Leave You Lovin Me 13. She's Back Again


Format: CD

Disc Quantity: 1
Date: 01-11-2016
Référence : 494928     
Disponibilité: 2/3 SEMAINES
Prix : 18,00 EUR


3 - BUCKLEY, TIM - LADY, GIVE ME YOUR KEY - (LP) 
FUTURE DAYS


THE UNISSUED 1967 SOLO ACOUSTIC SESSIONS - Available here for the first time are these newly discovered master tapes, recorded by Goodbye & Hellos producer Jerry Yester, along with an ultra-rare acetate, found to be in co-songwriter (and best friend) Becketts possession. Remastered from the original analog tapes and acetate, including a booklet with in-depth interviews with Buckleys lyricist Larry Beckett.In 1967, the face of rock was changing. In that year alone there were debut albums from The Velvet Underground, The Doors, and Pink Floyd, to name a few. The Beatles had combined orchestration with their music-the result was Sgt. Peppers in June, the same month that Tim Buckley recorded Goodbye & Hello.Buckley was no longer just another singer-songwriter with an acoustic guitar; he was drenched in acid-folk tinges of harpsichord and harmonium. Lyricist Larry Beckett embellished Tims songs with introspective lyrics at times, worldly views at others. It was the first major triumph for Tim as an album artist, partially because there were a remarkable amount of pre-production demos that led to it.Of the 13 previously unreleased solo acoustic songs contained here, six of them did eventually appear with more expansive instrumentation on Goodbye & Hello (along with another four not included here). However, the crown jewel of this package is seven never-before-heard compositions. These will be new to even the most devoted Buckley fan. Arguably, two of them crept out decades after Tims death (albeit, much different recordings than what you have here) but with little fanfare.

TRACKLISTING: 01. Sixface 02. Contact 03. Lady, Give Me Your Key 04. Once Upon A Time 05. Once I Was 06. I Never Asked To Be Your Mountain 07. Pleasant Street 08. Knight-errant 09. Marigold 10. Carnival Song 11. No Man Can Find War 12. I Can't Leave You Lovin Me 13. She's Back Again


Format: LP

Disc Quantity: 1
Date: 01-11-2016
Référence : 494929     
Disponibilité: 2/3 SEMAINES
Prix : 30,00 EUR


4 - DICKINSON, JIM - DIXIE FRIED - (CD) 
FUTURE DAYS


The late Jim Dickinson is one of the most eclectic personages rock nroll has ever thrown up: a musical maverick. From Sun Records and Ardent Studios in the 1960s, to sessions with the Rolling Stones, Ry Cooder and Bob Dylan, significant productions of Big Star and the Replacements, and the twisted roots rock of his own Mud Boy & The Neutrons, the man was never, ever predictable.A solo album had not been at the forefront of Jim Dickinsons mind then, but once the idea was put in place by Jerry Wexler at Atlantic, he reacted conceptually, and with gusto. Dickinson always shot from the hip. He could be coarse on a rocker like "Wine," or dignified and joyous when celebrating "The Strength of Love." Inebriated laments like "Wild Bill Jones" contrast sharply with the carny talk of "O How She Dances," and a shifting, indignant anti-war recitation entitled "John Brown."As a music maker who could relate equally to both the intellectual and the visceral aspects of popular culture, anything Dickinson lent his hand to was at least interesting and frequently rewarding. Such is the case with Dixie Fried, his solo debut from 1972. Unsuccessful upon release, the record now is now a cult item that, for many, mirrors the deliciously unexpected twists and turns of Dickinsons subsequent career.

TRACKLISTING: 01. Wine 02. The Strength Of Love 03. Louise 04. John Brown 05. Dixie Fried 06. The Judgement 07. O How She Dances 08. Wild Bill Jones 09. Casey Jones (on The Road Again) 10. If I Had My Way 11. The Lady From Baltimore 12. Clap Your Hands 13. Old Time Used To Be (christmas Tree) 14. Relax Your Mind 15. Mama Tried 16. Sanctified


Format: CD

Disc Quantity: 1
Date: 15-09-2016
Référence : 494901     
Disponibilité: 2/3 SEMAINES
Prix : 19,00 EUR


5 - DICKINSON, JIM - DIXIE FRIED - (LP) 
FUTURE DAYS


The late Jim Dickinson is one of the most eclectic personages rock nroll has ever thrown up: a musical maverick. From Sun Records and Ardent Studios in the 1960s, to sessions with the Rolling Stones, Ry Cooder and Bob Dylan, significant productions of Big Star and the Replacements, and the twisted roots rock of his own Mud Boy & The Neutrons, the man was never, ever predictable.A solo album had not been at the forefront of Jim Dickinsons mind then, but once the idea was put in place by Jerry Wexler at Atlantic, he reacted conceptually, and with gusto. Dickinson always shot from the hip. He could be coarse on a rocker like "Wine," or dignified and joyous when celebrating "The Strength of Love." Inebriated laments like "Wild Bill Jones" contrast sharply with the carny talk of "O How She Dances," and a shifting, indignant anti-war recitation entitled "John Brown."As a music maker who could relate equally to both the intellectual and the visceral aspects of popular culture, anything Dickinson lent his hand to was at least interesting and frequently rewarding. Such is the case with Dixie Fried, his solo debut from 1972. Unsuccessful upon release, the record now is now a cult item that, for many, mirrors the deliciously unexpected twists and turns of Dickinsons subsequent career.

TRACKLISTING: 01. Wine 02. The Strength Of Love 03. Louise 04. John Brown 05. Dixie Fried 06. The Judgement 07. O How She Dances 08. Wild Bill Jones 09. Casey Jones (on The Road Again) 10. If I Had My Way 11. The Lady From Baltimore 12. Clap Your Hands 13. Old Time Used To Be (christmas Tree) 14. Relax Your Mind 15. Mama Tried 16. Sanctified


Format: LP

Disc Quantity: 2
Date: 15-09-2016
Référence : 494902     
Disponibilité: 2/3 SEMAINES
Prix : 37,75 EUR


6 - FAMILY OF APOSTOLIC, THE - THE FAMILY OF APOSTOLIC - (LP) 
FUTURE DAYS


Despite the possibilities opened up by the studio and the chance to treat the desk as an instrument, The Family Of Apostolic is nonetheless a folk record at heart, and sounds downright spare in places. The experimentation was there in subtle ways, per Townley's desire for each song to be "like just a natural happening. We were trying to get a very close, upfront, live feeling." Released under a deal with Vanguard, the rambling album proved too difficult to market. Singles were released under different artist names, serving only to confuse the public more. Soon the studio was heading down the tubes, thanks in part to Jimi Hendrix's multi-track studio Electric Lady opening two blocks away. And before long, the Apostolic dream was over.The album remains a curate's egg, but one filled with delights. Opening track Redeemer asks, "O say, are you a true believer?" By the time you've listened to this deluxe reissue, you will be.

TRACKLISTING: 01. Redeemer 02. Zoo Song 03. Spring Song 04. Down The Road 05. Please Be Mine 06. Did You Like The Party 07. Fiddler A Dram 08. Bubbling Brook (instrumental) 09. Old Grey House 10. Dholak Gheet 11. Doin A Stretch 12. The Lone Pilgrim 13. Water Music (instrumental) 14. Grotesque Silly Bird 15. Taking Me Home 16. O Splendour 17. Lilting Lil 18. Mabel's Umbrage (instrumental) 19. Personality 20. Saigon Girls (instrumental)


Format: LP

Disc Quantity: 2
Date: 15-04-2016
Référence : 488659     
Disponibilité: 2/3 SEMAINES
Prix : 14,25 EUR


7 - GOLDBERG - MISTY FLATS - (CD) 
FUTURE DAYS


Barry Thomas Goldberg was 23 in 1974, the year his Minneapolis power pop group, The Batch, split up. Rudderless, he set about recording solo album Misty Flats, and though few would hear it in its day, he hit on something very special indeed."In 1974, the world was weary, the Vietnam War was ending, America was at this place where it didn't know where it was heading, it was the fumes of Watergate days," says Goldberg now. "I'd just left my band, and I didn't know where I was heading either. And that's what Misty Flats represents: neither high road nor low, but somewhere in between." Where The Batch were a harmony-drenched power pop band in the mold of Big Star and The Rubinoos, Misty Flats was an album of ecstatic desolation, an unhinged loner-folk gem that came from a unique place: "I wanted to make the first punk rock album, and if I'd recorded those songs with a band, maybe that's what it would've been," Goldberg says. The album was, instead, recorded in mono in a two-day recording binge on a two-track Ampex tape machine. It features just Goldberg and his friend Michael Yonkers, author of the cult 1968 LP Microminiature Love, playing guitar, bass, harmonica, and vocals between them.

TRACKLISTING: 01. Hollywood 02. Stars In The Sand 03. Never Came To Stay 04. Golden Sun 05. Cry A Little Bit 06. Misty Flats 07. China Doll 08. Pop And Ice 09. Magic Cloud 10. City Rain 11. Never Stop Dreaming


Format: CD

Disc Quantity: 1
Date: 01-08-2015
Référence : 478015     
Disponibilité: EN STOCK
Prix : 18,00 EUR


8 - GOLDBERG - MISTY FLATS - (LP) 
FUTURE DAYS


Barry Thomas Goldberg was 23 in 1974, the year his Minneapolis power pop group, The Batch, split up. Rudderless, he set about recording solo album Misty Flats, and though few would hear it in its day, he hit on something very special indeed."In 1974, the world was weary, the Vietnam War was ending, America was at this place where it didn't know where it was heading, it was the fumes of Watergate days," says Goldberg now. "I'd just left my band, and I didn't know where I was heading either. And that's what Misty Flats represents: neither high road nor low, but somewhere in between." Where The Batch were a harmony-drenched power pop band in the mold of Big Star and The Rubinoos, Misty Flats was an album of ecstatic desolation, an unhinged loner-folk gem that came from a unique place: "I wanted to make the first punk rock album, and if I'd recorded those songs with a band, maybe that's what it would've been," Goldberg says. The album was, instead, recorded in mono in a two-day recording binge on a two-track Ampex tape machine. It features just Goldberg and his friend Michael Yonkers, author of the cult 1968 LP Microminiature Love, playing guitar, bass, harmonica, and vocals between them.

TRACKLISTING: 01. Hollywood 02. Stars In The Sand 03. Never Came To Stay 04. Golden Sun 05. Cry A Little Bit 06. Misty Flats 07. China Doll 08. Pop And Ice 09. Magic Cloud 10. City Rain 11. Never Stop Dreaming


Format: LP

Disc Quantity: 1
Date: 01-08-2015
Référence : 478016     
Disponibilité: 2/3 SEMAINES
Prix : 10,25 EUR


9 - GRATEFUL DEAD - ONE FROM THE VAULT - (LP) 
FUTURE DAYS


Light In The Attic imprint Future Days Recordings is set to release this EPIC live show from the Grateful Dead!For a legacy filled with legendary performances, the Grateful Dead Live at the Great American Music Hall in San Francisco on August 13th 1975 stands out.

TRACKLISTING: 01. Introduction 02. Help On The Way / Slipknot! 03. Franklin's Tower 04. The Music Never Stopped 05. It Must Have Been The Roses 06. Eyes Of The World / Drums 07. King Soloman's Marbles / Stronger Than Dirt (or, Milkin' The Turkey) 08. Around & Around 09. Sugare 10. Big Rive 11. Crazy Fingers / Drums 12. The Other One 13. Sage And Spirit 14. Goin' Down The Road Feeling Bad 15. U.s. Blues 16. Blues For Allah/sand Castles & Glass Camels/unusual Occurrences I/t Desert


Format: LP

Disc Quantity: 3
Date: 15-12-2013
Référence : 452022     
Disponibilité: 2/3 SEMAINES
Prix : 77,00 EUR


10 - HARDY, FRANCOISE - L'AMITIE - (CD) 
FUTURE DAYS


A mix of Hardys own songs, Blackwells songs, and tracks from writers including Jean-Max Riviere and Grard Bourgeois (who wrote the title track), the sound focused on stirring, heavy pop, not least in the yearning "L'Amitie." "Im still very proud of L'Amitie," says Francoise, whos wont to undervalue her own work. "The French lyrics are so very moving."Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled, and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents-a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.By 1965, Franoise Hardy was truly international. Shed hung out with The Beatles and The Stones, played high-profile shows in London, established a working relationship with British producer Charles Blackwell, and appeared in the film What's New Pussycat? She was also a fashion icon seen in the pages of Marie Claire and Vogue and on the cover of Elle, and her first US album was issued that year.In France, Hardy was to release album number four, the second album to be recorded in London, where her celebrity was rapidly growing-at odds with her natural shyness. "In London, it was the first time Id been made to think I had a certain charm or charisma," she says now. "Thanks to the time in England, I became aware I could be seductive." LAmiti, with its evocative, close-up album cover and late-night sound, is the result.Produced by Jacques Wolfsohn alongside arranger Charles Blackwell, the sessions were notable for some distracting visitors. "Mick Jagger was there a few times with various entourages of his at Pye [Studios]," recalls Blackwell. "There was a long seat in front of the mixing desk where they used to sit."Hardy was, however, not the epitome of the swinging 60s idyll; she was an intellectual, into yoga and Buddhism and astrology, and she still noted French chanson singers George Brassens and Jacques Brel as favorites alongside Elvis, Dionne Warwick, and The Rolling Stones.Despite her new links to the world of fashion, the tentative steps into film, the growing international awareness, and the attention she brought sheerly through her presence, music remained Franoise's focus, and her fourth album more than demonstrated this.

TRACKLISTING: 01. Ce Petit Coeur 02. Il Se Fait Tard 03. Tout Ce Qu'on M'a Dit 04. L'amitie 05. En T'attendant 06. Je T'aime 07. Non Ce N'est Pas Un Rêve 08. Quel Mal Y A-t-il A Ca? 09. Tu Peux Bien 10. Le Temps Des Souvenirs 11. Je Pensais 12. Dis Lui Non


Format: CD

Disc Quantity: 1
Date: 15-10-2015
Référence : 480247     
Disponibilité: EN STOCK
Prix : 18,00 EUR


11 - HARDY, FRANCOISE - L'AMITIE - (LP) 
FUTURE DAYS


A mix of Hardys own songs, Blackwells songs, and tracks from writers including Jean-Max Riviere and Grard Bourgeois (who wrote the title track), the sound focused on stirring, heavy pop, not least in the yearning "L'Amitie." "Im still very proud of L'Amitie," says Francoise, whos wont to undervalue her own work. "The French lyrics are so very moving."Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled, and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents-a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.By 1965, Franoise Hardy was truly international. Shed hung out with The Beatles and The Stones, played high-profile shows in London, established a working relationship with British producer Charles Blackwell, and appeared in the film What's New Pussycat? She was also a fashion icon seen in the pages of Marie Claire and Vogue and on the cover of Elle, and her first US album was issued that year.In France, Hardy was to release album number four, the second album to be recorded in London, where her celebrity was rapidly growing-at odds with her natural shyness. "In London, it was the first time Id been made to think I had a certain charm or charisma," she says now. "Thanks to the time in England, I became aware I could be seductive." LAmiti, with its evocative, close-up album cover and late-night sound, is the result.Produced by Jacques Wolfsohn alongside arranger Charles Blackwell, the sessions were notable for some distracting visitors. "Mick Jagger was there a few times with various entourages of his at Pye [Studios]," recalls Blackwell. "There was a long seat in front of the mixing desk where they used to sit."Hardy was, however, not the epitome of the swinging 60s idyll; she was an intellectual, into yoga and Buddhism and astrology, and she still noted French chanson singers George Brassens and Jacques Brel as favorites alongside Elvis, Dionne Warwick, and The Rolling Stones.Despite her new links to the world of fashion, the tentative steps into film, the growing international awareness, and the attention she brought sheerly through her presence, music remained Franoise's focus, and her fourth album more than demonstrated this.

TRACKLISTING: 01. Ce Petit Coeur 02. Il Se Fait Tard 03. Tout Ce Qu'on M'a Dit 04. L'amitie 05. En T'attendant 06. Je T'aime 07. Non Ce N'est Pas Un Rêve 08. Quel Mal Y A-t-il A Ca? 09. Tu Peux Bien 10. Le Temps Des Souvenirs 11. Je Pensais 12. Dis Lui Non


Format: LP

Disc Quantity: 1
Date: 21-01-2016
Référence : 480248     
Disponibilité: 2/3 SEMAINES
Prix : 28,00 EUR


12 - HARDY, FRANCOISE - LA MAISON OU J'AI GRANDI - (LP) 
FUTURE DAYS


Yearning songs delivered with an intimate authority, at odds with the perception of Hardy in Britain and beyond, where she was seen as an ultra-fashionable, ultra-hip Parisian sophisticate, but totally in line with everything shed ever striven for musically.Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled, and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents-a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.Hardys fifth album was a collection of English-language recordings. For her next, released in October 1966, the focus was back on her home market in France, where things were changing quickly. Writing much of her own material was no longer a novelty-her future partner, Jacques Dutronc, was doing the same, and artists like Antoine were following Dylans lead.1966 was the year Hardy met Dylan, who demanded an audience with her at his Paris gig and later performed for her at a party. "It was only later that it occurred to me that he was singing I Want You because he actually wanted me," she says. Francoise said Dylan was not part of her world. As La Maison Ou JAi Grandi proved, Hardys world was perfect and fleshed out and set-five albums in, she had a sound, mood, and feel all her own.Recorded in London, the hit "La Maison Ou JAi Grandi" solidified what Hardy did best: marrying French chanson songs to epic production influenced by Phil Spector, Dusty Springfield, and George Martin; the toweringly powerful "Je Changerais Davis," which opens the LP, is a prime example.Though Hardy had formed a strong working relationship with producer Chris Blackwell, nine of the twelve tracks were arranged by Johnny Harris, known for his work with Petula Clark and Tom Jones. Although the artist and language were French, the album drew from an internationalist, polyglot world-six tracks were penned by Hardy, the remainder cherry-picked from French, British, and Italian songwriters.And despite its varied sources, the album was a cogent artistic statement. Francoise had returned to acoustic sounds like with her earliest songs, accompanying herself on a Spanish guitar, and was reasserting her own vision of her music.

TRACKLISTING: 01. Je Changerais D'avis (se Telefonando) 02. Si C'est Ca 03. Rendez-vous D'automne 04. Je Serai Là Pour Toi 05. Peut-être Que Je T'aime 06. Il Est Des Choses 07. Comme 08. Mes Jours S'en Vont 09. Qu'ils Sont Heureux 10. Surtout Ne Vous Retournez Pas 11. Tu Es Un Peu A Moi 12. La Maison Où J'ai Grandi (il Ragazzo Della Via Gluck)


Format: LP

Disc Quantity: 1
Date: 21-01-2016
Référence : 480249     
Disponibilité: EN STOCK
Prix : 28,00 EUR


13 - HARDY, FRANCOISE - LA MAISON OU J'AI GRANDI - (CD) 
FUTURE DAYS


Yearning songs delivered with an intimate authority, at odds with the perception of Hardy in Britain and beyond, where she was seen as an ultra-fashionable, ultra-hip Parisian sophisticate, but totally in line with everything shed ever striven for musically.Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled, and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents-a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.Hardys fifth album was a collection of English-language recordings. For her next, released in October 1966, the focus was back on her home market in France, where things were changing quickly. Writing much of her own material was no longer a novelty-her future partner, Jacques Dutronc, was doing the same, and artists like Antoine were following Dylans lead.1966 was the year Hardy met Dylan, who demanded an audience with her at his Paris gig and later performed for her at a party. "It was only later that it occurred to me that he was singing I Want You because he actually wanted me," she says. Francoise said Dylan was not part of her world. As La Maison Ou JAi Grandi proved, Hardys world was perfect and fleshed out and set-five albums in, she had a sound, mood, and feel all her own.Recorded in London, the hit "La Maison Ou JAi Grandi" solidified what Hardy did best: marrying French chanson songs to epic production influenced by Phil Spector, Dusty Springfield, and George Martin; the toweringly powerful "Je Changerais Davis," which opens the LP, is a prime example.Though Hardy had formed a strong working relationship with producer Chris Blackwell, nine of the twelve tracks were arranged by Johnny Harris, known for his work with Petula Clark and Tom Jones. Although the artist and language were French, the album drew from an internationalist, polyglot world-six tracks were penned by Hardy, the remainder cherry-picked from French, British, and Italian songwriters.And despite its varied sources, the album was a cogent artistic statement. Francoise had returned to acoustic sounds like with her earliest songs, accompanying herself on a Spanish guitar, and was reasserting her own vision of her music.

TRACKLISTING: 01. Je Changerais D'avis (se Telefonando) 02. Si C'est Ca 03. Rendez-vous D'automne 04. Je Serai Là Pour Toi 05. Peut-être Que Je T'aime 06. Il Est Des Choses 07. Comme 08. Mes Jours S'en Vont 09. Qu'ils Sont Heureux 10. Surtout Ne Vous Retournez Pas 11. Tu Es Un Peu A Moi 12. La Maison Où J'ai Grandi (il Ragazzo Della Via Gluck)


Format: CD

Disc Quantity: 1
Date: 17-11-2015
Référence : 480250     
Disponibilité: EN STOCK
Prix : 18,00 EUR


14 - HARDY, FRANCOISE - LE PREMIER BONHEUR DU JOUR - (CD) 
FUTURE DAYS


For the tracks on Le Premier Bonheur Du Jour, Hardy was produced by arranger Marcel Hendrix. As well as her own compositions, "L'Amour D'Un Garon" saw Hardy adapt Burt Bacharach and Hal Davids "The Love Of A Boy." In a contemporary interview, she said she would not perform songs where there was no sense of the words touching her intimately. "A song-it is your own story, or it is nothing," she said.Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled, and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents-a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.Like her 1962 debut, the cover of the following years Le Premier Bonheur Du Jour had Hardy staring enigmatically at the listener. On the album itself, the sound had changed in line with Hardys solidifying vision and voice; where Tous Les Garons Et Les Filles was produced by a series of collaborators who struggled to understand her style, Le Premier Bonheur Du Jour gave fans the most significant insight so far into the identity of Francoise Hardy.In 1963, at a time when Serge Gainsbourg was tentatively dipping a toe into pop and the term ye-ye was only just being coined, Hardy was a rare thing: a singer-songwriter with heaps of her own material but not a folk singer in any sense. Hers was pop music that took the weight of chanson on its shoulders. Here, "Comme Tant DAutres" says, "I know well that life is short, and Ive been around"-hardly "She loves you, yeah yeah yeah."It was another year before Hardys records were issued in Britain and another year before she started to brush up against the likes of Bob Dylan, The Beatles, and The Stones, but life was changing for the 19-year-old.Her unique sound would take her far, despite admitting now that she "had no ambition. At the beginning, my ambition was to record something. I thought anything outside France was an impossible dream, but I did what I could to make it come true. It was like a current that carried me."

TRACKLISTING: 01. Le Premier Bonheur Du Jour 02. Va Pas Prendre Un Tambour 03. Saurai-je? 04. Toi, Je Ne T'oublierai Pas 05. Avant De T'en Aller 06. Comme Tant D'autres 07. J'aurais Voulu 08. Nous Tous 09. L'amour D'un Garon 10. Le Sais-tu? 11. L'amour Ne Dure Pas Toujours 12. On Dit De Lui


Format: CD

Disc Quantity: 1
Date: 15-10-2015
Référence : 480243     
Disponibilité: EN STOCK
Prix : 18,00 EUR


15 - HARDY, FRANCOISE - LE PREMIER BONHEUR DU JOUR - (LP) 
FUTURE DAYS


For the tracks on Le Premier Bonheur Du Jour, Hardy was produced by arranger Marcel Hendrix. As well as her own compositions, "L'Amour D'Un Garon" saw Hardy adapt Burt Bacharach and Hal Davids "The Love Of A Boy." In a contemporary interview, she said she would not perform songs where there was no sense of the words touching her intimately. "A song-it is your own story, or it is nothing," she said.Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled, and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents-a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.Like her 1962 debut, the cover of the following years Le Premier Bonheur Du Jour had Hardy staring enigmatically at the listener. On the album itself, the sound had changed in line with Hardys solidifying vision and voice; where Tous Les Garons Et Les Filles was produced by a series of collaborators who struggled to understand her style, Le Premier Bonheur Du Jour gave fans the most significant insight so far into the identity of Francoise Hardy.In 1963, at a time when Serge Gainsbourg was tentatively dipping a toe into pop and the term ye-ye was only just being coined, Hardy was a rare thing: a singer-songwriter with heaps of her own material but not a folk singer in any sense. Hers was pop music that took the weight of chanson on its shoulders. Here, "Comme Tant DAutres" says, "I know well that life is short, and Ive been around"-hardly "She loves you, yeah yeah yeah."It was another year before Hardys records were issued in Britain and another year before she started to brush up against the likes of Bob Dylan, The Beatles, and The Stones, but life was changing for the 19-year-old.Her unique sound would take her far, despite admitting now that she "had no ambition. At the beginning, my ambition was to record something. I thought anything outside France was an impossible dream, but I did what I could to make it come true. It was like a current that carried me."

TRACKLISTING: 01. Le Premier Bonheur Du Jour 02. Va Pas Prendre Un Tambour 03. Saurai-je? 04. Toi, Je Ne T'oublierai Pas 05. Avant De T'en Aller 06. Comme Tant D'autres 07. J'aurais Voulu 08. Nous Tous 09. L'amour D'un Garon 10. Le Sais-tu? 11. L'amour Ne Dure Pas Toujours 12. On Dit De Lui


Format: LP

Disc Quantity: 1
Date: 21-01-2016
Référence : 480244     
Disponibilité: EN STOCK
Prix : 28,00 EUR


16 - HARDY, FRANCOISE - MON AMIE LA ROSE - (LP) 
FUTURE DAYS


Hardy, working with arranger Charles Blackwell, a former protg of Joe Meek, set about creating a new interpretation of her glacial, existentially yearning music: part pop, part chanson, part soul music. On one hand, she was marrying yearning melodies with lyrics examining feelings of otherness. On the other, she was interpreting the music coming from Britain and America-both that of Phil Spector and country, too. Blackwell was the first arranger with whom Hardy was happy, and Mon Amie La Rose was the first album she thought of as more than an afterthought. "She chose her own songs and was very in control," says Blackwell. "She was very much a perfectionist."Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled, and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents-a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.Following the French success of 1962s Tous Les Garons Et Les Filles and 1963s Le Premier Bonheur Du Jour, 1964 was the year Hardy went truly international. Having competed in the Eurovision Song Contest and acted in a Roger Vadim film, this was the year Dylan dedicated a poem to her on the sleeve of Another Side and the year she ventured to Britain to record English language songs for the first time.Hardys first three French EPs of the year, from which just "Pourtant Tu Maimes" appears on Mon Amie La Rose, were largely recorded on home soil with Paris-based arranger Mickey Baker. After the third, Franoise changed tack, abandoned French studios and arrangers, and headed to Londons Pye Studios. She would not record again in France until 1968, instead employing a series of British producers and musicians that even included then-studio guitarist Jimmy Page."It was very difficult for me to convince my record company to go to London for the production because my artistic director was having lots of success with very bad arrangements," she says dryly. "Since they were having success with bad arrangements, they could continue like that."

TRACKLISTING: 01. Je Veux Qu'il Revienne 02. Tu N'as Qu'un Mot A Dire 03. Tu Ne Dis Rien 04. Et Même 05. Pourtant Tu M'aimes 06. Pars 07. Je N'attends Plus Personne 08. La Nuit Est Sur La Ville 09. Pas Gentille 10. Dans Le Monde Entier 11. Nous Etions Amies 12. Mon Amie La Rose


Format: LP

Disc Quantity: 1
Date: 21-01-2016
Référence : 480245     
Disponibilité: 2/3 SEMAINES
Prix : 28,00 EUR


17 - HARDY, FRANCOISE - MON AMIE LA ROSE - (CD) 
FUTURE DAYS


Hardy, working with arranger Charles Blackwell, a former protg of Joe Meek, set about creating a new interpretation of her glacial, existentially yearning music: part pop, part chanson, part soul music. On one hand, she was marrying yearning melodies with lyrics examining feelings of otherness. On the other, she was interpreting the music coming from Britain and America-both that of Phil Spector and country, too. Blackwell was the first arranger with whom Hardy was happy, and Mon Amie La Rose was the first album she thought of as more than an afterthought. "She chose her own songs and was very in control," says Blackwell. "She was very much a perfectionist."Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled, and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents-a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.Following the French success of 1962s Tous Les Garons Et Les Filles and 1963s Le Premier Bonheur Du Jour, 1964 was the year Hardy went truly international. Having competed in the Eurovision Song Contest and acted in a Roger Vadim film, this was the year Dylan dedicated a poem to her on the sleeve of Another Side and the year she ventured to Britain to record English language songs for the first time.Hardys first three French EPs of the year, from which just "Pourtant Tu Maimes" appears on Mon Amie La Rose, were largely recorded on home soil with Paris-based arranger Mickey Baker. After the third, Franoise changed tack, abandoned French studios and arrangers, and headed to Londons Pye Studios. She would not record again in France until 1968, instead employing a series of British producers and musicians that even included then-studio guitarist Jimmy Page."It was very difficult for me to convince my record company to go to London for the production because my artistic director was having lots of success with very bad arrangements," she says dryly. "Since they were having success with bad arrangements, they could continue like that."

TRACKLISTING: 01. Je Veux Qu'il Revienne 02. Tu N'as Qu'un Mot A Dire 03. Tu Ne Dis Rien 04. Et Même 05. Pourtant Tu M'aimes 06. Pars 07. Je N'attends Plus Personne 08. La Nuit Est Sur La Ville 09. Pas Gentille 10. Dans Le Monde Entier 11. Nous Etions Amies 12. Mon Amie La Rose


Format: CD

Disc Quantity: 1
Date: 17-11-2015
Référence : 480246     
Disponibilité: EN STOCK
Prix : 18,00 EUR


18 - HARDY, FRANCOISE - TOUT LES GARCONS ET LES FILLES - (LP) 
FUTURE DAYS


Hardy was immortalized in 1964 in a poem by Bob Dylan, she associated with The Stones, and dined with Beatles Paul McCartney and George Harrison. She also soon gained more creative control over her music, and she now distances herself from these early recordings where this was not the case. "Even if I had been able to say something about the production," she says now, "maybe I would have been listened to, but I didnt know anything." In the albums title track, Hardy sang about being a soul in torment, and this is the Hardy that emerged-a complicated, pensive outsider, part pop singer, part chanteuse, and utterly unique. Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents- a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.Raised by her mother in Paris, Hardys upbringing was strict, and she was, she notes today, "a very, very shy person." Records and Radio Luxembourg provided escape and inspiration-her two loves were Chanson Franaise, the Gallic style of Edith Piaf and Charles Aznavour, and rocknroll. The Everly Brothers, she says, were a "lightning bolt."Sent to The Sorbonne to study political sciences, Hardy instead pursued a career as a singer, auditioning for a number of labels before Johnny Hallydays Disques Vogue snapped her up, intending to market her as a female rocker-the track "Oh Oh Chri" here gives you a window into their vision. Hardy had other ideas and was determined to record her own songs, written in French, too. The runaway success of one of her own tracks, the iconic "Tous Les Garons Et Les Filles," proved Hardy right.

TRACKLISTING: 01. Tous Les Garons Et Les Filles 02. Ca A Rate 03. La Fille Avec Toi 04. Oh Oh Cheri 05. Le Temps De L'amour 06. Il Est Tout Pour Moi 07. On Se Plait 08. Ton Meilleur Ami 09. Jai Jete Mon Coeur 10. Il Est Parti Un Jour 11. J'suis D'accord 12. C'est A Amour Auquel Je Pense


Format: LP

Disc Quantity: 1
Date: 21-01-2016
Référence : 480241     
Disponibilité: EN STOCK
Prix : 28,00 EUR


19 - HARDY, FRANCOISE - TOUT LES GARCONS ET LES FILLES - (CD) 
FUTURE DAYS


Hardy was immortalized in 1964 in a poem by Bob Dylan, she associated with The Stones, and dined with Beatles Paul McCartney and George Harrison. She also soon gained more creative control over her music, and she now distances herself from these early recordings where this was not the case. "Even if I had been able to say something about the production," she says now, "maybe I would have been listened to, but I didnt know anything." In the albums title track, Hardy sang about being a soul in torment, and this is the Hardy that emerged-a complicated, pensive outsider, part pop singer, part chanteuse, and utterly unique. Between 1962 and 1966, Francoise Hardy released one French-language album per year. Each, strictly speaking, was eponymously titled and each was collected from a series of contemporary four-track, seven-inch, picture-sleeve EPs-pop musics main format in France, known as le super 45. In them, we see the maturing of one of the decades most singular talents- a pop singer with the heart of a chanteuse, a singer-songwriter in an age before such a thing was known, and a style icon who valued privacy and modesty. Remastered from the original tapes, Future Days present the first five Francoise Hardy albums in their original French format, on deluxe LP and CD.Raised by her mother in Paris, Hardys upbringing was strict, and she was, she notes today, "a very, very shy person." Records and Radio Luxembourg provided escape and inspiration-her two loves were Chanson Franaise, the Gallic style of Edith Piaf and Charles Aznavour, and rocknroll. The Everly Brothers, she says, were a "lightning bolt."Sent to The Sorbonne to study political sciences, Hardy instead pursued a career as a singer, auditioning for a number of labels before Johnny Hallydays Disques Vogue snapped her up, intending to market her as a female rocker-the track "Oh Oh Chri" here gives you a window into their vision. Hardy had other ideas and was determined to record her own songs, written in French, too. The runaway success of one of her own tracks, the iconic "Tous Les Garons Et Les Filles," proved Hardy right.

TRACKLISTING: 01. Tous Les Garons Et Les Filles 02. Ca A Rate 03. La Fille Avec Toi 04. Oh Oh Cheri 05. Le Temps De L'amour 06. Il Est Tout Pour Moi 07. On Se Plait 08. Ton Meilleur Ami 09. Jai Jete Mon Coeur 10. Il Est Parti Un Jour 11. J'suis D'accord 12. C'est A Amour Auquel Je Pense


Format: CD

Disc Quantity: 1
Date: 15-10-2015
Référence : 480242     
Disponibilité: EN STOCK
Prix : 18,00 EUR


20 - HURLEY, MICHAEL - ARMCHAIR BOOGIE - (CD) 
FUTURE DAYS


Michael Hurley is a singularly unusual singer, guitarist and artist. Following the recent re-issues of Hurleys three albums for Rounder Records, the Future days label is now set to revisit some of Hurleys earliest solo works: 1971s Armchair Boogie and Hi Fi Snock Uptown! Recorded with Jesse Colin Young, Armchair Boogie is Hurleys debut album proper, and the one in which he set out his stall as purveyor of charming, homely, folksy songs. It is, essentially, 14 songs about love and strange things.

TRACKLISTING: 01. Werewolf 02. Grand Canyon 03. English Noblemen 04. Be Kind To Me 05. Troubled Waters 06. Red Ravagers Reel 07. Sweedeedee 08. Open Up 09. Jocko's Lament 10. Light Green Fellow 11. Get The Best Of Me 12. Biscuit Roller 13. When The Swallows Come Back To Capistrano 14. Penguins


Format: CD

Disc Quantity: 1
Date: 08-07-2013
Référence : 442570     
Disponibilité: 2/3 SEMAINES
Prix : 18,00 EUR


21 - HURLEY, MICHAEL - HI FI SNOCK UPTOWN - (CD) 
FUTURE DAYS


Michael Hurley is a singularly unusual singer, guitarist and artist. Following our recent re-issues of Hurleys three albums for Rounder Records, we are now set to revisit some of Hurleys earliest solo works: 1971s Armchair Boogie and Hi Fi Snock Uptown. Featuring 14 twisted songs produced by "Banana" and Joe Bauer, Hi Fi Snock Uptown saw Hurley amplifying some ofArmchair Boogies willfully esoteric qualities and delivering an album that explores the full range of his sound, from blues to country and folk to playful sounds - like his crow impressions on Old Black Crow. As Twilight Zone neatly puts it, "everything is weird". It also features some of his most loved songs such as Water Train, Eyes, Eyes and the gorgeous traveling track Blue Driver.

TRACKLISTING: 01. Blue Driver 02. Water Train 03. Sun Is Slowley Sinkin' 04. Old Black Crow 05. Twilight Zone 06. 'm Worrie, I'm Worried 07. In Florida 08. Mr Whiskerwits 09. Lily Pads 10. Eyes 11. Girl I Love You 12. Ungle Bobs Corner 13. Rat Face 14. Trinidad


Format: CD

Disc Quantity: 1
Date: 08-07-2013
Référence : 442571     
Disponibilité: 2/3 SEMAINES
Prix : 18,00 EUR


22 - KUNKEL, ROBB - ABYSS - (LP) 
FUTURE DAYS


first ever reissueNewly remastered audioLimited edition pressing of 600 with hand numberingIncludes gatefold jacket and 8 page book with unseen photos and liner notes by Sarah SweeneyA portion of the profits will be donated to charity in memory of Robb"...one of the best, perhaps the best, on the label...displays the typical Tumbleweed combination of a loose, stoned Astral Flash vibe and a classy production." - Patrick Lundborg, - Acid ArchivesDenver in 1971 was the right place, right time for musician Robb Kunkel. Hed just come off a year rambling around North America before settling in Colorado, landing a gig as a promotions rep for ABC-Dunhill. The weed was potent, magic was in the air, and Kunkels life was about to change forever.The San Fernando earthquake had spurred industry pals Bill Szymczyk and Larry Ray to join forces to form their own label-and get the hell out of California. The duo reached out to Kunkel who helped set up shop for their burgeoning Denver enterprise, Tumbleweed Records. Kunkel secured a headquarters, helped staff the label, and brought in talent, including Danny Holien, Pete McCabe, Dewey Terry. But Kunkel was itching to make a record of his own. Perhaps to repay him, Tumbleweed agreed.A longtime piano man and blues aficionado, Kunkel had the soul of a poet and the restless spirit of the jazz musicians he also worshipped. For his album, Kunkel wanted a jazz producer, and Szymczyk hired Ed Michel, then the head of Impulse Records, who brought on a string quartet and jazz legend Ray Brown and Wrecking Crew musician Jimmy Bond.Ostensibly a pop album at heart, _Abyss_ brings all of Kunkels influences together and vacillates wildly in style. From folky ditties to pensive wailers, Kunkels songs are often piano-driven but rarely straightforward. Tracks regularly veer off into jazz or baroque string arrangements, but theres a raw quality-in the production and in Kunkels literary and at times earnest lyrics. Its the album of a young and uninhibited musician who has realized a lifelong dream and who takes it seriously, but not too seriously.

TRACKLISTING: 01. You Were The Morning 02. Whispermuse 03. Country Blues 04. O Light 05. Abyss 06. Monterrrey 07. Ten Summers 08. Airhammer Eddiie 09. Playa De Bagdad 10. Turn Of The Century


Format: LP

Disc Quantity: 1
Date: 02-03-2018
Référence : 511912     
Disponibilité: EN STOCK
Prix : 32,00 EUR


23 - LOON, MORLEY - NORTHLAND, MY LAND - (CD) 
FUTURE DAYS


Northland, My Land is the full-length vinyl debut from Cree singer-songwriter, actor, and force of nature, Morley Loon (1948-1986). Born in Mistissini, Quebec, Loon became active in music at an early age. Drawing from his Cree culture, language, and environment, Loon developed an organic style that inspired many Indigenous musicians. News of his talent even reached producers at the Canadian Broadcasting Corporation (CBC) in the late 1970s. Two 7" EPs of original Cree language compositions were laid down first and later compiled into the Northland, My Land album, which was released to the public in 1981. Accompanied by percussion and flute, Loon taps into a spiritual place with this material, achieving a transcendent quality rarely heard in music. "NDoheeno," which translates to "The Hunter" reflects the hunting and gathering traditions of Loons people and region. If you close your eyes and absorb the musics pulse (even without knowledge of Cree), its easy to visualize the subject of this mesmerizing song. In this quote from the original Northland, My Land liner notes, we learn more: The call of the loon-haunting, evocative, across northern lakes and rivers, has been chosen as a signature effect by Morley Loon in his first recorded appearance. Morley and his people are close to the land and to the wildlife as part of the dominant theme of nature itself. The people have great respect for the wild creatures which they hunt, but on which they also depend. This closeness to the natural world is reflected in sentiments expressed in Cree about the traditional pursuits of the Indian.

TRACKLISTING: 01. Agajee Dona Nooch 02. Amendo Na Nooch 03. Wee Jee 04. Yoo Indo Deem Awin 05. Nooj Meech 06. Deb Skum 07. Ginscoom-tin 08. Nee Dumphs 09. Caminconoch 10. Enu-noog-amun


Format: CD

Disc Quantity: 1
Date: 26-05-2016
Référence : 490823     
Disponibilité: 2/3 SEMAINES
Prix : 18,00 EUR


24 - LOON, MORLEY - NORTHLAND, MY LAND - (LP) 
FUTURE DAYS


Northland, My Land is the full-length vinyl debut from Cree singer-songwriter, actor, and force of nature, Morley Loon (1948-1986). Born in Mistissini, Quebec, Loon became active in music at an early age. Drawing from his Cree culture, language, and environment, Loon developed an organic style that inspired many Indigenous musicians. News of his talent even reached producers at the Canadian Broadcasting Corporation (CBC) in the late 1970s. Two 7" EPs of original Cree language compositions were laid down first and later compiled into the Northland, My Land album, which was released to the public in 1981. Accompanied by percussion and flute, Loon taps into a spiritual place with this material, achieving a transcendent quality rarely heard in music. "NDoheeno," which translates to "The Hunter" reflects the hunting and gathering traditions of Loons people and region. If you close your eyes and absorb the musics pulse (even without knowledge of Cree), its easy to visualize the subject of this mesmerizing song. In this quote from the original Northland, My Land liner notes, we learn more: The call of the loon-haunting, evocative, across northern lakes and rivers, has been chosen as a signature effect by Morley Loon in his first recorded appearance. Morley and his people are close to the land and to the wildlife as part of the dominant theme of nature itself. The people have great respect for the wild creatures which they hunt, but on which they also depend. This closeness to the natural world is reflected in sentiments expressed in Cree about the traditional pursuits of the Indian.

TRACKLISTING: 01. Agajee Dona Nooch 02. Amendo Na Nooch 03. Wee Jee 04. Yoo Indo Deem Awin 05. Nooj Meech 06. Deb Skum 07. Ginscoom-tin 08. Nee Dumphs 09. Caminconoch 10. Enu-noog-amun


Format: LP

Disc Quantity: 1
Date: 26-05-2016
Référence : 490824     
Disponibilité: 2/3 SEMAINES
Prix : 14,25 EUR


25 - MOSES, LEE - TIME AND PLACE - (CD) 
FUTURE DAYS


It was 1971 before Moses dream of being at stage front was realized, when he released his Brantley-produced LP Time And Place for Maple Records. Recorded with a band including members of The Ohio Players and Moses own backing group The Deciples, it was, nonetheless, Moses himself whose star quality shone through, via his scratchy guitar riffs, his throat-ripping vocals and the stirring mood that permeates the LPs heady mix of funk, soul and R&B.The LP did no business, and Moses dream quickly crumbled. Though details on his life are scarce, its believed he fled New York disenchanted with the music industry, feeling hed been double-crossed by Brantley both in credit and remuneration for the countless records hed played on. Back in Atlanta, Moses returned to playing the clubs, married twice, and fell into depression and drug dependency. He died in 1997 at the age of 56.Time And Place soon became a much-sought-after item for collectors, and its cult has continued to grow over the years. Here, we re-present it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little - but just a little - less of an enigma.

TRACKLISTING: 01. Time And Place 02. Got That Will 03. What You Don't Want Me To Be 04. California Dreaming 05. Every Boy And Girl 06. Hey Joe 07. Free At Last 08. Would You Give Up Everything 09. Adorable One


Format: CD

Disc Quantity: 1
Date: 01-09-2016
Référence : 493405     
Disponibilité: 2/3 SEMAINES
Prix : 18,00 EUR


26 - MOSES, LEE - TIME AND PLACE - (LP) 
FUTURE DAYS


It was 1971 before Moses dream of being at stage front was realized, when he released his Brantley-produced LP Time And Place for Maple Records. Recorded with a band including members of The Ohio Players and Moses own backing group The Deciples, it was, nonetheless, Moses himself whose star quality shone through, via his scratchy guitar riffs, his throat-ripping vocals and the stirring mood that permeates the LPs heady mix of funk, soul and R&B.The LP did no business, and Moses dream quickly crumbled. Though details on his life are scarce, its believed he fled New York disenchanted with the music industry, feeling hed been double-crossed by Brantley both in credit and remuneration for the countless records hed played on. Back in Atlanta, Moses returned to playing the clubs, married twice, and fell into depression and drug dependency. He died in 1997 at the age of 56.Time And Place soon became a much-sought-after item for collectors, and its cult has continued to grow over the years. Here, we re-present it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little - but just a little - less of an enigma.

TRACKLISTING: 01. Time And Place 02. Got That Will 03. What You Don't Want Me To Be 04. California Dreaming 05. Every Boy And Girl 06. Hey Joe 07. Free At Last 08. Would You Give Up Everything 09. Adorable One


Format: LP

Disc Quantity: 1
Date: 01-09-2016
Référence : 493406     
Disponibilité: 2/3 SEMAINES
Prix : 30,00 EUR


27 - PEACOCK, ANNETTE - I'M THE ONE - (LP) 
FUTURE DAYS


* Expanded gatefold LP with 180-gram vinyl housed in a deluxe Stoughton "Tip-On" jacket with spot UV gloss* LP hand-numbered and limited to 1,000 copies* LP includes 18"x24" posterReissue of electronic music pioneer Annette Peacock's solo debut LP ! The albums wide range of vocal emotions and diverse sonic palette (featuring Robert Moogs early modular synthesizers, which the singer actually transmitted her voice through to wild effect) places it firmly at the forefront of the pop avant-garde. Originally released by RCA Victor in 1972 to widespread critical acclaim, Im The One found itself amongst good company. Both Lou Reed and David Bowie had recently signed to the label-Bowie in particular was enamored with Annette-and artists ranging from ex-husband and jazz great Paul Bley, along with notable Brazilian percussionists Airto Moreira and Dom Um Romao, guested on the album itself. Writing and arranging Im The Ones nine passionate tracks-bar a unique cover of Elvis Presleys "Love Me Tender"- the disc grooves easily from free jazz freak-outs and rough and rugged blues-funk to gently pulsing synthesized bliss.

TRACKLISTING: 01. I'm The One 02. 7 Days 03. Pony 04. Been & Gone 05. Blood 06. One Way 07. Love Me Tender 08. Gesture Without Plot 09. Did You Hear Me Mommy


Format: LP

Disc Quantity: 1
Date: 01-06-2012
Référence : 427240     
Disponibilité: EN STOCK
Prix : 32,00 EUR


28 - REID, TERRY - THE OTHER SIDE OF THE RIVER - (CD) 
FUTURE DAYS


British musician Terry Reid is a relatively unsung legend. With his incredible voice (that earned him the nickname "Superlungs"), spot-on songwriting, and underrated guitar skills, Reid invented new sounds and others followed suit. His 1973 LP, River, is an under-the-radar but deeply loved album. Our special new release, The Other Side Of The River, features all previously unreleased material from the River sessions, including six never-before-heard Reid compositions and five very different alternate takes of tracks from River.Over the decades, as River went in and out of print, there were rumors of a mythological double albums worth of unreleased material. The rumors turned out to be true, as the entire album was recorded twice: once with British producer Eddy Offord and again with the legendary Tom Dowd. The sessions captured Reids free-associative mix of folk, blues, rock, jazz, bossa-nova, soul, and samba, recalling at times Tim Buckley and Van Morrison, while featuring some remarkable guests including Gilberto Gil on percussion, Ike & Tina Turners Ikettes on vocals, and David Lindley, of psych band Kaleidoscope, on violin. The Other Side Of The River includes songs that even Terry had forgotten - rockers in the style of the River track "Dean," Latin grooves with percussionist Willie Bobo, and beautifully sparse vocal material not unlike David Crosbys If Only I Could Remember My Name and John Martyns Solid Air.

TRACKLISTING: 01. Let's Go Down 02. Avenue (f# Boogie) (alternate) 03. Things To Try (alternate) 04. Country Brazilian Funk 05. River (alternate) 06. Listen With Eyes 07. Anyway (alternate) 08. Celtic Melody 09. Funny (alternate) 10. Late Night Idea 11. Sabyla


Format: CD

Disc Quantity: 1
Date: 01-06-2016
Référence : 487570     
Disponibilité: 2/3 SEMAINES
Prix : 18,00 EUR


29 - REID, TERRY - THE OTHER SIDE OF THE RIVER - (LP) 
FUTURE DAYS


British musician Terry Reid is a relatively unsung legend. With his incredible voice (that earned him the nickname "Superlungs"), spot-on songwriting, and underrated guitar skills, Reid invented new sounds and others followed suit. His 1973 LP, River, is an under-the-radar but deeply loved album. Our special new release, The Other Side Of The River, features all previously unreleased material from the River sessions, including six never-before-heard Reid compositions and five very different alternate takes of tracks from River.Over the decades, as River went in and out of print, there were rumors of a mythological double albums worth of unreleased material. The rumors turned out to be true, as the entire album was recorded twice: once with British producer Eddy Offord and again with the legendary Tom Dowd. The sessions captured Reids free-associative mix of folk, blues, rock, jazz, bossa-nova, soul, and samba, recalling at times Tim Buckley and Van Morrison, while featuring some remarkable guests including Gilberto Gil on percussion, Ike & Tina Turners Ikettes on vocals, and David Lindley, of psych band Kaleidoscope, on violin. The Other Side Of The River includes songs that even Terry had forgotten - rockers in the style of the River track "Dean," Latin grooves with percussionist Willie Bobo, and beautifully sparse vocal material not unlike David Crosbys If Only I Could Remember My Name and John Martyns Solid Air.

TRACKLISTING: 01. Let's Go Down 02. Avenue (f# Boogie) (alternate) 03. Things To Try (alternate) 04. Country Brazilian Funk 05. River (alternate) 06. Listen With Eyes 07. Anyway (alternate) 08. Celtic Melody 09. Funny (alternate) 10. Late Night Idea 11. Sabyla


Format: LP

Disc Quantity: 2
Date: 01-06-2016
Référence : 487571     
Disponibilité: 2/3 SEMAINES
Prix : 32,00 EUR


30 - THIN LIZZY - SHADES OF A BLUE ORPHANAGE - (LP) 
FUTURE DAYS


Thin Lizzy's second album is a nod to the past: Shades Of Blue and Orphanage were former outfits of two of the band's members, their names combined to create an oddly evocative image-especially when combined with a sepia-tinted image cover of three small, shoeless children intended to represent vocalist Phil Lynott, guitarist Eric Bell, and drummer Brian Downey.Looking back is a common theme of the LP. The soft, sensitive "Sarah" was written for Phil Lynott's grandmother who raised him in lieu of his absent mother. It's an album that challenges your perceptions about a group you think you have nailed down through future singles "Jailbreak," "The Boys Are Back In Town," and "Whisky In The Jar."

TRACKLISTING: 01. Rise & Dear Demise Of The Funky Nomadic Tribes 02. Buffalo Gal 03. I Don't Want To Forget How To Jive 04. Sarah 05. Brought Down 06. Baby Face 07. Chatting Today 08. Call The Police 09. Shades Of A Blue Orphanage


Format: LP

Disc Quantity: 1
Date: 20-02-2015
Référence : 473441     
Disponibilité: 2/3 SEMAINES
Prix : 28,00 EUR
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