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1 - COLLINGS, MATTHEW - A REQUIEM FOR EDWARD SNOWDEN - (CD) 
DENOVALI


MATTHEW COLLINGS is a Scotland-based composer. Not only being a solo recording and live artist, he collaborates regularly with artists from all kinds of fields including musicians (e.g. Dag Rosenqvist from JASPER TX and Denovali label mate TALVIHORROS), dancers and filmmakers. Hes responsible for several installations using custom-made software, which have been exhibited at Burning Man Festival in San Francisco or Glasgow's Centre for Contemporary Arts. His work for films includes a specially commissioned live score for Dziga Vertovs 1929 silent classic, The Man with the Movie Camera and an invitation to work on The Invisibles, a commission from Amnesty International.'A Requiem for Edward Snowden' is a large scale live audiovisual performance piece that has been performed among others at the Glasgow Centre for Contemporary Art and the Gaudeamus Muziekweek in Utrecht. The piece focuses on a number of themes which are extremely relevant to our lives in the 21st century, based around the actions and decisions of whistleblower Edward Snowden; loss of faith and security, the hacking of digital media, invasion of privacy and personal sacrifice.

TRACKLISTING: 01. Opening 5:31 02. Maersk Recorder 5:05 03. Cincinnatus 5:03 04. Interlude 1:26 05. Rapid Pulses 9:48 06. Bluffdale, Utah 6:19 07. Collect It All 7:12 08. Waiting 5:26


Format: CD

Disc Quantity: 1
Date: 25-03-2016
Référence : 487274     
Disponibilité: EN STOCK
Prix : 15,00 EUR


2 - COLLINGS, MATTHEW - A REQUIEM FOR EDWARD SNOWDEN - (LP) 
DENOVALI


MATTHEW COLLINGS is a Scotland-based composer. Not only being a solo recording and live artist, he collaborates regularly with artists from all kinds of fields including musicians (e.g. Dag Rosenqvist from JASPER TX and Denovali label mate TALVIHORROS), dancers and filmmakers. Hes responsible for several installations using custom-made software, which have been exhibited at Burning Man Festival in San Francisco or Glasgow's Centre for Contemporary Arts. His work for films includes a specially commissioned live score for Dziga Vertovs 1929 silent classic, The Man with the Movie Camera and an invitation to work on The Invisibles, a commission from Amnesty International.'A Requiem for Edward Snowden' is a large scale live audiovisual performance piece that has been performed among others at the Glasgow Centre for Contemporary Art and the Gaudeamus Muziekweek in Utrecht. The piece focuses on a number of themes which are extremely relevant to our lives in the 21st century, based around the actions and decisions of whistleblower Edward Snowden; loss of faith and security, the hacking of digital media, invasion of privacy and personal sacrifice.

TRACKLISTING: 01. Opening 5:31 02. Maersk Recorder 5:05 03. Cincinnatus 5:03 04. Interlude 1:26 05. Rapid Pulses 9:48 06. Bluffdale, Utah 6:19 07. Collect It All 7:12 08. Waiting 5:26


Format: LP

Disc Quantity: 1
Date: 25-03-2016
Référence : 487275     
Disponibilité: EN STOCK
Prix : 22,25 EUR


3 - COLLINGS, MATTHEW - SILENCE IS A RHYTHM TOO - (CD) 
DENOVALI


"Silence Is A Rhythm Too" isnt conceived as the absence of sound like a Cageian silence that is simply a span of time that is empty, but rather how silence and sound can be processed in a composition. Collings interest is musically based on huge densities of sound just as hes fascinated by opposing forces to wrestle with each other. Silence seems to be harder and harder to achieve in this technologically saturated age and Matthew Collings admits that it reveals the habits of his own hearing, from being obsessed with its opposite: noise. "Silence Is A Rhythm Too" is about trying to find grace, space and expanse as much as tension and menace, and reconciling the two.Stepping away from song-like structures, which filled his previous record, "Splintered Instruments", creates more spacious sounds and evokes the impression of time stretched through the three dimensions. Still being intrigued by the idea of materials on the edge of collapse, he catches them up in their dying breath: The record is full of these processes, including prepared amplifiers and electronics pushed to the extreme to coax new sounds, close-micing and high volume. Despite the fact that most of his work is mediated by technology, hes far more excited by the sound of acoustic. Featuring brass ensembles and a string quartet the instruments and sounds are full of cracks, breath, embedding rough materials informed by luscious intentions. Real instruments and real acoustic spaces are used as much as possible during the production such as the electronics, were played out into concert halls and large rooms and re-recorded. "Silence Is A Rhythm Too" keeps an eye on the small textural details as it is about harmony and physicality in the moment where silence and noise meet.For fans of Ben Frost, Nico Muhly, Autechre, My Bloody Valentine, Glenn Branca or Steve Reich

TRACKLISTING: 01. Stills 02. Everything You Love Will End Up Of The Breeze 03. Cicero 04. Toms 05. I Am Made Of Endless Hours 06. Silence Is A Rhythm Too


Format: CD

Disc Quantity: 1
Date: 25-07-2014
Référence : 465529     
Disponibilité: EN STOCK
Prix : 15,00 EUR


4 - COLLINGS, MATTHEW - SILENCE IS A RHYTHM TOO - (LP) 
DENOVALI


"Silence Is A Rhythm Too" isnt conceived as the absence of sound like a Cageian silence that is simply a span of time that is empty, but rather how silence and sound can be processed in a composition. Collings interest is musically based on huge densities of sound just as hes fascinated by opposing forces to wrestle with each other. Silence seems to be harder and harder to achieve in this technologically saturated age and Matthew Collings admits that it reveals the habits of his own hearing, from being obsessed with its opposite: noise. "Silence Is A Rhythm Too" is about trying to find grace, space and expanse as much as tension and menace, and reconciling the two.Stepping away from song-like structures, which filled his previous record, "Splintered Instruments", creates more spacious sounds and evokes the impression of time stretched through the three dimensions. Still being intrigued by the idea of materials on the edge of collapse, he catches them up in their dying breath: The record is full of these processes, including prepared amplifiers and electronics pushed to the extreme to coax new sounds, close-micing and high volume. Despite the fact that most of his work is mediated by technology, hes far more excited by the sound of acoustic. Featuring brass ensembles and a string quartet the instruments and sounds are full of cracks, breath, embedding rough materials informed by luscious intentions. Real instruments and real acoustic spaces are used as much as possible during the production such as the electronics, were played out into concert halls and large rooms and re-recorded. "Silence Is A Rhythm Too" keeps an eye on the small textural details as it is about harmony and physicality in the moment where silence and noise meet.For fans of Ben Frost, Nico Muhly, Autechre, My Bloody Valentine, Glenn Branca or Steve Reich

TRACKLISTING: 01. Stills 02. Everything You Love Will End Up Of The Breeze 03. Cicero 04. Toms 05. I Am Made Of Endless Hours 06. Silence Is A Rhythm Too


Format: LP

Disc Quantity: 1
Date: 25-07-2014
Référence : 465530     
Disponibilité: EN STOCK
Prix : 22,25 EUR


5 - COLLINGS, MATTHEW - SPLINTERED INSTRUMENTS - (CD) 
DENOVALI


Matthew Collings is a Scottish-based composer. Not only being a solo recording and live artist, he collaborates regularly with artists from all kinds of fields including musicians (Dag Rosenqvist from Jasper TX, Denovali label mate Talvihorros, Christos Michalakos or Euan Mcmeeken with whom he forms the duo Graveyard Tapes), dancers and filmmakers. Hes responsible for several installations using custom-made software, which have been exhibited at Burning Man Festival/ San Francisco, Glasgow's Centre for Contemporary Arts or the 50th Design Biennial in Ljubliana/ Slovenia. His work for films includes a specially commissioned live score for Dziga Vertovs 1929 silent classic, The Man with the Movie Camera and an invitation to work on The Invisibles, a commission from Amnesty International. Before settling down in Edinburgh, he lived in Iceland for six year, where he wrote a number of albums issued under the name of his lo-fi/ambient project "Sketches for Albinos" and where he met fellow collaborator Ben Frost. His music can be roughly described as 'an elemental whorl of electro-acoustic (de)composition' (Boomkat.com), ranging from tiny delicate moments of intimacy to all consuming noise. Collings gentle blurred singing voice is added consequently as an melodic instrument, that never dominates, but soaks through a composition, which seems to be distorted through its state of constant shift. Strongly influenced by avant-garde guitar music, it calls the minimal music of Steve Reich or Gavin Bryars to mind in like manner.Splintered Instruments '.is not about noise or the decibel levels - its about the sheer uncompromised approach to raw sound design' (Headphone Commute). For fans of Ben Frost, Nico Muhly, Autechre, My Bloody Valentine, Glenn Branca or Steve Reich.

TRACKLISTING: 01. Vasilia 02. They Meet On The Subway 03. Crows 04. Pneumonia Loves The Moon 05. Paris Is Burning 06. Routine


Format: CD

Disc Quantity: 1
Date: 25-07-2014
Référence : 465527     
Disponibilité: EN STOCK
Prix : 15,00 EUR


6 - COLLINGS, MATTHEW - SPLINTERED INSTRUMENTS - (LP) 
DENOVALI


Matthew Collings is a Scottish-based composer. Not only being a solo recording and live artist, he collaborates regularly with artists from all kinds of fields including musicians (Dag Rosenqvist from Jasper TX, Denovali label mate Talvihorros, Christos Michalakos or Euan Mcmeeken with whom he forms the duo Graveyard Tapes), dancers and filmmakers. Hes responsible for several installations using custom-made software, which have been exhibited at Burning Man Festival/ San Francisco, Glasgow's Centre for Contemporary Arts or the 50th Design Biennial in Ljubliana/ Slovenia. His work for films includes a specially commissioned live score for Dziga Vertovs 1929 silent classic, The Man with the Movie Camera and an invitation to work on The Invisibles, a commission from Amnesty International. Before settling down in Edinburgh, he lived in Iceland for six year, where he wrote a number of albums issued under the name of his lo-fi/ambient project "Sketches for Albinos" and where he met fellow collaborator Ben Frost. His music can be roughly described as 'an elemental whorl of electro-acoustic (de)composition' (Boomkat.com), ranging from tiny delicate moments of intimacy to all consuming noise. Collings gentle blurred singing voice is added consequently as an melodic instrument, that never dominates, but soaks through a composition, which seems to be distorted through its state of constant shift. Strongly influenced by avant-garde guitar music, it calls the minimal music of Steve Reich or Gavin Bryars to mind in like manner.Splintered Instruments '.is not about noise or the decibel levels - its about the sheer uncompromised approach to raw sound design' (Headphone Commute). For fans of Ben Frost, Nico Muhly, Autechre, My Bloody Valentine, Glenn Branca or Steve Reich.

TRACKLISTING: 01. Vasilia 02. They Meet On The Subway 03. Crows 04. Pneumonia Loves The Moon 05. Paris Is Burning 06. Routine


Format: LP

Disc Quantity: 1
Date: 25-07-2014
Référence : 465528     
Disponibilité: EN STOCK
Prix : 22,25 EUR


7 - COLLINGS, MATTHEW - UZONIA - (CD) 
DENOVALI


After the release of Hello Darkness in 2017, a collaboration with Dag Rosenqvist, Uzonia is the fourth solo album of the Scotland-based composer Matthew Collings. His acclaimed 'audio-visual opera, A Requiem For Edward Snowden, for strings, clarinet, electronics and real-time visuals was premiered to a sell-out crowd in October 2014, and has been performed at Glasgow CCA, Edinburgh Fringe Festival and Utrecht's Gaudeamus Muziekweek (NL). Hes responsible for several installations using custom-made software, which have been exhibited at Burning Man Festival in San Francisco or Glasgow's Centre for Contemporary Arts. His work for films includes a specially commissioned live score for Dziga Vertovs 1929 silent classic, The Man with the Movie Camera and an invitation to work on The Invisibles, a commission from Amnesty International.

TRACKLISTING: 01. Cambridge Analytica 1:14 02. Weapon Opens Time 3:54 03. Digital Ruins, Forgotten Future 5:53 04. S Wave 4:35 05. Love 3:20 06. Your Seconds Will Be Mine 4:16 07. Blackwater 2:59 08. Why Do You Want It To End? 6:33


Format: CD

Disc Quantity: 1
Date: 25-10-2019
Référence : 535983     NEW
Disponibilité: 2/3 SEMAINES
Prix : 15,00 EUR


8 - COLLINGS, MATTHEW - UZONIA - (LP) 
DENOVALI


After the release of Hello Darkness in 2017, a collaboration with Dag Rosenqvist, Uzonia is the fourth solo album of the Scotland-based composer Matthew Collings. His acclaimed 'audio-visual opera, A Requiem For Edward Snowden, for strings, clarinet, electronics and real-time visuals was premiered to a sell-out crowd in October 2014, and has been performed at Glasgow CCA, Edinburgh Fringe Festival and Utrecht's Gaudeamus Muziekweek (NL). Hes responsible for several installations using custom-made software, which have been exhibited at Burning Man Festival in San Francisco or Glasgow's Centre for Contemporary Arts. His work for films includes a specially commissioned live score for Dziga Vertovs 1929 silent classic, The Man with the Movie Camera and an invitation to work on The Invisibles, a commission from Amnesty International.

TRACKLISTING: 01. Cambridge Analytica 1:14 02. Weapon Opens Time 3:54 03. Digital Ruins, Forgotten Future 5:53 04. S Wave 4:35 05. Love 3:20 06. Your Seconds Will Be Mine 4:16 07. Blackwater 2:59 08. Why Do You Want It To End? 6:33


Format: LP

Disc Quantity: 1
Date: 25-10-2019
Référence : 535984     NEW
Disponibilité: 2/3 SEMAINES
Prix : 22,25 EUR



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